House Industries is not your typical type foundry. Unlike most foundries that strictly focus on type design, House take things one step further. Their fonts become springboards to new ideas and products that are often integrated into themed experiences complete with lush packaging and slick catalogs. A great example of this is their work on the 2004 release of Neutraface. They created a reproduction of Richard Neutra’s Boomerang chair and pillows to coincide with the release of the font collection. In addition, they created limited edition packaging (with die cuts and metallic inks) to accompany the hard copy of the fonts. In an age when people more and more seek cheap and immediate goods,  I cherish these premium experiences.

House Industries most recent project pays tribute to the modernist designer Alexander Girard. In my opinion it is their most impressive collection to date. It includes a Type Family, a Nativity Set, t shirts, alphabet blocks, lettering, Marilyn Neuhart designed Casa dolls and more. We spoke with Andy Cruz (Co-owner and art director) about the research and development of the products.

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I’m very excited about our next addition to the Grain Edit interview series. When the gigantic Grain Edit interview arrow landed on Springfield, MO we knew just who to call: Frank Chimero.

You’ve likely seen Frank’s designs and illustrations making the rounds on the design blog circuit lately. And with good reason; Frank’s work effortlessly combines humor, wit, and style with a fresh and honest point of view.

Frank opens up and shares some of his thoughts and insights regarding his design background, his influences and teaching experiences, and of course his famed process. If you’re a fan of the States’ series, then there’s also a super surprise waiting for you further down in the interview.

OK, enough. Here we go:

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I first stumbled upon Eleanor’s work while out shoe shopping a few years ago. I found a menagerie of Keds slip-on shoes with the loveliest animal patterns ever-imaginable…doves, giraffes, camels, and even cows! It was love at first sight!

Since that shopping extravaganza, I came to learn that the wonderful Ms. Grosch was behind those whimsical designs. Her work incorporates carefully chosen color palettes with geometric shapes and attentive lines, much in the style of her hero, Charley Harper.

In addition to designing for Keds, Eleanor has also designed for Alien Workshop, Urban Outfitters, and Chronicle Books. Her work diversely appears on rock posters, skateboards, apparel, and various publications. This past April, Print Magazine honored Eleanor as one of their New Visual Artists of 2008.

Before we bite into the meat of this interview, I’ve gathered a few nibbles and goodies of Eleanor’s work from the past years:

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In the midst of Grain Edit’s one year anniversary, we’re super excited to bring you this interview with Adrian Johnson. Mr. Johnson is a UK-based designer/illustrator whose work spans editorial, print, motion, and his own self-initiated projects. He has designed for Mastercard, Giant Robot, Vodafone, and Stussy, to name a few. In the interview, Adrian talks about his background, inspirations, creative process, and of course, zeitgeist.

A lot of work nowadays is stylish, and fun, and cool, but can ultimately become irrelevant due to poorly executed ideas, or lack of decent concepts. I see Adrian’s work as a nice balance between kick-butt graphics and style, and smart ideas that get through to people.

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I’m really excited to present today’s interview. Matte is one of my favorite artists and an all around rad guy. Matte makes amazing art and lives in a house with lots of cool modern furniture. In Matte’s conversation with us he shares some of the people/things that inspire his work, the characters that frequent his paintings as well as a glimpse into his studio and home.

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Invisible creature is the three-time Grammy-nominated Seattle based design duo of Don and Ryan Clark. Including their work while part of Asterik Studio and current work for Tooth & Nail Records, the two have created hundreds of CD packages and limited edition silk-screened posters. A small sample of their Client list includes: Foo Fighters, Chris Cornell, and Billboard magazine.

Their work is inspiring and fun to look at and they have no problem with experimentation. I’m amazed by their ability to consistently create quality work in a broad range of media.

In this interview, Don Clark shares with us some of the history of Invisible Creature and an exclusive look at the process behind “family portrait”, a piece in their recent gallery exhibition titled Haven.

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Mike Davis aka Mike the 2600 King is part of a design collaborative known as Burlesque of North Of America. In addition to their design work they are a full service screenprinting studio.

I first ran into Mike while on a cross country record digging trip in 2003. My friends and I were crashing with some of the cool cats at galapagos 4. They heard that Mike was spinning at one of the local clubs, so we decided to check it out. Mike was laying down some serious funk/ soul heat that night and the club was packed. Later I found out that in addition to be a great dj, he was an excellent designer creating posters for my friends at anticon.

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My first introduction to Wink was four or five years ago when their packaging for Sunmilk was making the rounds in the design magazines and annuals. Since then, I’ve tried to keep an eye on their work. What has impressed me the most about Wink has been their ability to consistently produce top notch work.

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One of the notable things that has come out of producing this blog has been the opportunity to speak with designers I respect and admire. Bo Lundberg is one of those designers. Several months ago we posted some of his work. Since then Bo and I have been exchanging emails which eventually led to this interview. Here he shares a few thoughts on inspiration, as well as his creative process.

Bo’s work has been featured in Old Type/ New Type by Steven Heller, Illustration Now! published by Taschen, Illusive: Contemporary Illustration and its Context by Hellige & Klanten, as well as other publications. His clients include Wallpaper magazine, Elle, Vogue, Neiman Marcus and Scandinavian Airlines.

Without further ado, I’m proud to present Bo Lundberg.

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Our story with Jason Munn (The Small Stakes) begins in the summer of 2005. We had recently learned that his studio was located near our office so we decided for a little suprise visit. We arrived at his front door and rang his buzzer. When he opened the door we said something along the lines of..
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