In the midst of Grain Edit’s one year anniversary, we’re super excited to bring you this interview with Adrian Johnson. Mr. Johnson is a UK-based designer/illustrator whose work spans editorial, print, motion, and his own self-initiated projects. He has designed for Mastercard, Giant Robot, Vodafone, and Stussy, to name a few. In the interview, Adrian talks about his background, inspirations, creative process, and of course, zeitgeist.

A lot of work nowadays is stylish, and fun, and cool, but can ultimately become irrelevant due to poorly executed ideas, or lack of decent concepts. I see Adrian’s work as a nice balance between kick-butt graphics and style, and smart ideas that get through to people.

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I’m really excited to present today’s interview. Matte is one of my favorite artists and an all around rad guy. Matte makes amazing art and lives in a house with lots of cool modern furniture. In Matte’s conversation with us he shares some of the people/things that inspire his work, the characters that frequent his paintings as well as a glimpse into his studio and home.

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Invisible creature is the three-time Grammy-nominated Seattle based design duo of Don and Ryan Clark. Including their work while part of Asterik Studio and current work for Tooth & Nail Records, the two have created hundreds of CD packages and limited edition silk-screened posters. A small sample of their Client list includes: Foo Fighters, Chris Cornell, and Billboard magazine.

Their work is inspiring and fun to look at and they have no problem with experimentation. I’m amazed by their ability to consistently create quality work in a broad range of media.

In this interview, Don Clark shares with us some of the history of Invisible Creature and an exclusive look at the process behind “family portrait”, a piece in their recent gallery exhibition titled Haven.

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Mike Davis aka Mike the 2600 King is part of a design collaborative known as Burlesque of North Of America. In addition to their design work they are a full service screenprinting studio.

I first ran into Mike while on a cross country record digging trip in 2003. My friends and I were crashing with some of the cool cats at galapagos 4. They heard that Mike was spinning at one of the local clubs, so we decided to check it out. Mike was laying down some serious funk/ soul heat that night and the club was packed. Later I found out that in addition to be a great dj, he was an excellent designer creating posters for my friends at anticon.

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My first introduction to Wink was four or five years ago when their packaging for Sunmilk was making the rounds in the design magazines and annuals. Since then, I’ve tried to keep an eye on their work. What has impressed me the most about Wink has been their ability to consistently produce top notch work.

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One of the notable things that has come out of producing this blog has been the opportunity to speak with designers I respect and admire. Bo Lundberg is one of those designers. Several months ago we posted some of his work. Since then Bo and I have been exchanging emails which eventually led to this interview. Here he shares a few thoughts on inspiration, as well as his creative process.

Bo’s work has been featured in Old Type/ New Type by Steven Heller, Illustration Now! published by Taschen, Illusive: Contemporary Illustration and its Context by Hellige & Klanten, as well as other publications. His clients include Wallpaper magazine, Elle, Vogue, Neiman Marcus and Scandinavian Airlines.

Without further ado, I’m proud to present Bo Lundberg.

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Our story with Jason Munn (The Small Stakes) begins in the summer of 2005. We had recently learned that his studio was located near our office so we decided for a little suprise visit. We arrived at his front door and rang his buzzer. When he opened the door we said something along the lines of..
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