Portland based illustrators, Aaron Piland and Ayumi Kajikawa Piland, are the dynamic husband-wife duo behind APAK. This particular work, created for Tinlark’s 3rd Anniversary Show, nicely juxtaposes a geometric structure against the lush organic blue and green forms. Their work is very much a fantasy, with mythical creatures and animals coexisting in a dreamy imaginative world.
- Olle Eksell Site & Shop
- This Is Forest — Joel Speasmaker
- MVM — Magnus Voll Mathiasson
- Art School Cliche Spotting
- Posters Discovered in Notting Hill Gate Tube Station
- Vinyl Documentary: To Have & To Hold
- Partisan Memorials in Former Yugoslavia
- Up in the Air- Opening sequence
- Geoff Mcfetridge: Where the Wild Things Are Title Design
- Nikkatsu – Japanese actions films
Danish Giftparcels | Denmark |
Some of you might remember when World of Logotypes made the rounds on the design blog circuit last year. If you missed out, Amy over at the excellent Aqua-Velvet blog has highlighted a few of her favorite logos from the book. View Part 1, Part 2, Part 3.
Design work for Hagar -1969
Robert Sessler was born in the Swiss city of Bern in 1914. Robert first began experimenting with design during his late 20s at the Zurich School of Arts where he was trained under the Bauhaus instructor, Johannes Itten. In 1942 he left school to open his own studio and become a member of the Swiss Werkbund. He maintained his studio until 1953 when he was offered a position as the head of the graphic design department at the Saarbrucken School of Art in Germany. He continued to teach at Saarbrucken and later at the University of Saarland until his retirement in 1979.
London designer and illustrator Emily Alston, better known by her moniker Emily Forgot, takes us on quite the journey in this illustration for Design Week.
She features a cascade of chairs, lamps, and other household accessories layered upon each other to create a surreal environment. The colors in this piece play with light, with its soft tints of cyan and salmon juxtaposed against a dark chocolate background. The really sparse patterns hidden intermittently within the shapes are a real treat too!
Being an avid collector of records, I’m looking forward to getting my hands on Unit Editions most recent release.
From the website:” Ronald Clyne at Folkways is a 64 page ‘newspaper’ devoted to designer Ronald Clyne’s record covers for the Folkways label. Ronald Clyne (1925 – 2006) designed over 500 album covers for Folkways and is largely responsible for the famous label’s striking visual appearance. His distinctive use of two-color printing on matte paper and his deft use of modernist design strategies, created a body of work that gave the Folkways label its distinctive aroma of integrity and purity.”
La Boca is a London based design firm specializing in transporting its viewers to places of the future by means of the past. This record sleeve, created for Arcadion, has a nice composition with the symmetry of the two magnetic looking objects on the edge of what seems like a portal into space. The warm gradient behind the bold text nicely juxtaposes the cool waves of the galactic landscape. This is where I’d like to be today.
If you are in the London area, Kemistry Gallery is currently showing works by the warsaw-based design studio homework (Joanna Górska and Jerzy Skakun). On display is a selection of over fifty of their prints including classic cinema and modern Polish theatre posters. The exhibition runs from March 5th through the 17th of April.
London based illustrator and animator, Celyn Brazier, sure has a way with color! Reminiscent of George Dunning’s psychedelic Yellow Submarine, this particular image depicts the sea and earth with its abundance of creatures, homes, and people. The composition is positioned so that everything feels connected. The images of floating jellyfish, zooming cyclists, and carefree birds also provide a nice natural rhythm within the imagined landscape.