Today’s Grain Edit interview is brought to you by guest contributor Deva Mirel, and features the words and works of illustrator/fine artist Gary Taxali. We catch up with Gary after he returned in early May from his first solo show abroad at The Outsiders in London. Gary lives and works in Toronto but is originally from India. Here he discusses his most recent show, locating the desi in his work, why kids love him, and some straightforward tips on being in the business of making art.
- Olle Eksell Site & Shop
- This Is Forest — Joel Speasmaker
- MVM — Magnus Voll Mathiasson
- Art School Cliche Spotting
- Posters Discovered in Notting Hill Gate Tube Station
- Vinyl Documentary: To Have & To Hold
- Partisan Memorials in Former Yugoslavia
- Up in the Air- Opening sequence
- Geoff Mcfetridge: Where the Wild Things Are Title Design
- Nikkatsu – Japanese actions films
As a young design student at California College of the Arts I had the wonderful opportunity of interning for ReadyMade magazine — way back in its hip Berkeley headquarters heyday.
It was a fantastically unique experience and my first in a bustling design office. Under the guidance of art director George McCalman, the office’s art department was a lively, collaborative, ambitious and (extremely) entertaining place to work — and home to the best design office music jams I have had the pleasure to groove to (courtesy of Mr. McCalman himself).
George is a magazine veteran, having art-directed Mother Jones, ReadyMade and Afar to name a few. He is responsible for relevant, thoughtful editorial design as well as some very compelling branding, packaging and identity work. Recently, I was able to catch up with George and find out about his past, present and future. And of course, his opinions regarding his favorite magazines.
George, take it away:
Our latest addition to the Grain Edit interview series takes us to London, home to the Mum and Dad of Anorak Magazine – Cathy Olmedillas and Rob Lowe (aka Supermundane). Anorak Magazine is “The Happy Mag for Kids” that features imaginative stories, engaging games, and activities illustrated by talented illustrators such as Adrian Johnson, Marcus Walters, Sasha Barr, Clayton Junior, even Grain Edit’s own Liam Devowski. In this interview, Cathy and Rob discuss the origins of Anorak magazine and take us behind the scenes of making the publication. They also drop some BIG news that you don’t want to miss!
Our latest Grain Edit interview takes us to Kansas City, Missouri–the City of Fountains, headquarters to Hallmark Cards, and home to illustrator and designer Tad Carpenter. Tad’s has the clarity of a designer with the artfulness of an illustrator. His work is whimsical, fun, and smart as he uses a colorful lovable style to create a myriad of characters and illustrations. In this interview, Tad discusses some of his favorite aspects of his hometown, his influences and creative process, and provides a glimpse into his studio as well as something not many folks know about him.
Today’s Grain Edit interview series takes us to Brooklyn, New York, home to illustrator Julia Rothman. I remember first being introduced to Julia’s work through her repeat pattern tutorial on Design*Sponge. The process blew me away, and caused me to fall in love with the multitudes of energetic inventive patterns and fresh illustrations she creates.
In this interview, Julia discusses being a native New Yorker, the influence of Sweet Pickles books (YES!), and the process behind the creation of her latest book, The Exquisite Book. She also reveals something that most people don’t know about her…find out more after the jump!
This past weekend, I had the privilege of visiting Jordan Provost and Jason Wong, the dynamite duo behind Brooklyn based stationery and gift line enormouschampion. Their incredible collection of letterpressed cards, screenprinted cloth, and wooden goods features images of animals, love, and nature, as well as bold type. In this studio visit, Jordan and Jason show us some of their favorite things and offer a couple of handy hints on organizing and collecting.
Today Grain Edit is proud to present Blanca Gómez of Cosas Minimas. Blanca is a Graphic Designer and Illustrator based in Madrid, Spain. You may remember her work as featured on Grain Edit’s on-going poster pick series. We like her clean and simple style and took some time to talk to Blanca about her work and creative process. We hope you’ll enjoy it.
For the latest Grain Edit interview, we head to the beautiful Pacific Northwest city of Portland, Oregon. While Portland is known for it’s drizzly rain, recent influx of people, and amazing food cart scene, it is also the home of many talented designers. We here at Grain Edit had the chance to visit PDX and catch up with one of it’s very accomplished residents, Dan Stiles.
Dan is a long time designer and contributor to the contemporary gig poster scene. His work is always very fresh, energetic, engaging and fun. Dan is very successful at creating dramatic work while using minimal colors and patterns. In this interview we chat with Dan about his history as a designer, his thoughts on running a solo studio, working in Portland, and much more.
The latest installment to the Grain Edit interview series takes us to Seattle, birthplace of grunge music and home to illustrator and designer, Sasha Barr. I was first introduced to Sasha’s work a few years ago when I stumbled upon his website, positively titled “This is the New Year.” His work often employs rough textures, intricately drawn patterns featuring elements from nature and little creatures, and cool color palettes.
In this interview, Sasha discusses how he made the trek from Tennessee to Seattle, his influences and creative process, how he landed an awesome gig working at Sub Pop Records, and also shares incredible views of his awesome home.
Let’s dive on in!
This Grain Edit interview takes us to New York’s largest burough—Brooklyn—and to the office of Mike Perry! I’m sure most here are quite familiar with his work. The style is very specific; you definitely know it when you see it. With the help of the fancy-shmancy Internet, Mike’s work seems often imitated, but never duplicated. There is only one Mike Perry, folks.
I became most familiar with Mike’s work with the publication of his first book, Hand Job: A Catalog of Type. While still in school I preordered it, as did many of my classmates. But I had my first real hands-on looks at it over at the studio where I was interning — they had an advance copy. I remember the smell, especially, as well as the general office ogling.
One of the things that strikes me the most about Mike’s work is that he can be making a zine or an object, putting on a show, or designing a typeface, or just doodling—all of his work feels consistent. With whatever he’s doing, you’re always entering the world of Mike Perry.
After the jump, Mike talks about various aspects of his work, his work history, and his favorite Brooklyn restaurant. Let’s get into it!