Gottschalk + Ash was founded in Montreal in 1966 by Swiss-born Fritz Gottschalk and Canadian native Stuart Ash. Independently and collaboratively, the two have racked up numerous design awards and honors over the last 40 years, with highlights that include identity work for Ciba and a re-design of the Swiss passport. Their work shown above is a great example of Swiss precision and a playful, more humanized take on design.
- Olle Eksell Site & Shop
- This Is Forest — Joel Speasmaker
- MVM — Magnus Voll Mathiasson
- Art School Cliche Spotting
- Posters Discovered in Notting Hill Gate Tube Station
- Vinyl Documentary: To Have & To Hold
- Partisan Memorials in Former Yugoslavia
- Up in the Air- Opening sequence
- Geoff Mcfetridge: Where the Wild Things Are Title Design
- Nikkatsu – Japanese actions films
I’m so excited, I just got my hands on a copy of Born Modern: The Life and Design of Alvin Lustig. After several years in the making, the highly anticipated book by Steven Heller & Elaine Lustig Cohen (Alvin’s wife) was finally released by Chronicle books last week. This is the first monograph devoted to this master of modern design, whose brief but prolific career had a profound and lasting influence on a generation of designers to come.
Almost exactly 8 years ago the first Flatstock poster show was held in San Francisco. I remember anxiously awaiting my entrance into the show, and subsequently being in awe over the work displayed. I admired all of the work shown, and eventually bought a print from Seripop.
All of the posters exhibited promoted rock shows happening in venues throughout the country and the world. Many exciting books have followed that first Flatstock, covering the exploding rock poster scene. Rock Paper Show is quite a different take on the gig-poster, however — highlighting the posters that were designed to promote the Flatstock event itself. The book contains great work from some of the top-notch poster designers around, including Jeff Kleinsmith, The Bird Machine, Aesthetic Apparatus, The Heads of State, The Small Stakes, f2 Design, and so many more.
Tomingekijo Music Circle concert pamphlets from 1963
In a prolific career that spanned over 5 decades, Japanese designer Ayao Yamana left behind a rich body of work that few could duplicate. He is mainly known for his elegant and delicate illustrations of women which graced the packaging and printed advertisements for Shiseido cosmetics. These concert pamphlet covers for the Tomingekijo Music Circle represent a side of Yamana that is less familiar, but equally as impressive.
Our good friends at Chronicle Books recently released Creative, Inc.: The Ultimate Guide to Running a Successful Freelance Business. Co-written by Joy Cho and Meg Mateo Ilasco, this helpful guide is packed with expert advice on finding agents, negotiating fees, licensing work and dealing with taxes. Also included are useful resources and interviews with experienced designers and illustrators.
I’m excited to welcome both Meg and Joy to Grain Edit today for a special Q&A session. Ok, here we go!
In 1964 United States Steel called upon the nation’s electric utility companies to reconsider the current look of our power stations and transmission towers to be both functional and beautiful. Two years later, Henry Dreyfuss and Associates were commissioned to investigate possible design alternatives, and I believe they were documented in a book entitled “Power Styling” which was produced by United States Steel in the mid-to-late 1960s. I discovered a copy not long ago, and the inside illustrations are absolutely amazing. Unfortunately, there is very little information listed, so I can’t say for sure if the concepts belong to Henry Dreyfuss and his team. I contacted the office of Syd Mead, who did several illustration projects for US Steel, to confirm the artwork, and sadly he was unfamiliar with this piece. If anyone has information on the Power Stylings project or the mysterious illustrator, please drop a note in the comments.
More images after the jump. Don’t miss this one!