- Olle Eksell Site & Shop
- This Is Forest — Joel Speasmaker
- MVM — Magnus Voll Mathiasson
- Art School Cliche Spotting
- Posters Discovered in Notting Hill Gate Tube Station
- Vinyl Documentary: To Have & To Hold
- Partisan Memorials in Former Yugoslavia
- Up in the Air- Opening sequence
- Geoff Mcfetridge: Where the Wild Things Are Title Design
- Nikkatsu – Japanese actions films
If you’re looking for last-minute gift ideas, we’ve got you covered. We received some exciting new titles this week, just in time for the holidays. Included in the list below are titles from Gestalten, Lars Muller, Kat Ran Press and Metropolis Books. These titles along with many others can be seen in the full version of our Holiday Book Gift Guide.
NAVA is an Italian brand that has strong roots in the design community. Established in 1970, they have a long history of working with the leading designers of the day. Nendo Projects, Massimo Vignelli, Enzo Mari, Naoto Fukasawa and Max Huber are just a few of the designers that NAVA has collaborated with over the years. The success of these partnerships has allowed NAVA to craft a functional yet undeniably stylish product line that supercedes vain fashion. Many of these products have gone on to become icons that are still displayed in museums and galleries around the world.
We recently received a package from NAVA which contained items from the latest Michel Charlot collaboration as well as a classic notepad/daily planner designed by Max Huber during the early stages of the company. We explore these products in words and pictures after the jump.
In 1958, the inaugural issue of the Neue Grafik – The International Review of graphic design and related subjects – was launched by four Zürich-based designers. Led by Josef Müller-Brockmann, Richard Paul Lohse, Hans Neuburg and Carlo Vivarelli (LMNV), the journal became a catalyst for an emerging movement in design known as the Swiss School or International Typographic Style. Marked by its asymmetrical layouts, sans-serif typeface and strong use of grids, the International Typographic Style placed heavy emphasis on clarity and precision. Throughout the journal’s history, this rigid yet versatile approach to design was employed and readily adopted by the design community at large.
Original copies of Neue Grafik are scarce and rarely surface on the open market with single issues fetching three hundred dollars or more. With this in mind, I’m excited to announce the re-release by Lars Muller of this significant and sought-after periodical, with all eighteen issues now available as a facsimile reprint. Contained within a stunning red slipcase, the set also includes a 64 page booklet with commentary by Steven Heller, Lars Muller and Richard Hollis.