Cecilie Ellefsen is a Norwegian illustrator and animator with a fine talent for creating intricate dioramas made of paper and plastic. Her work incorporates brightly colored cutouts of animals, forests, and mythical creatures. Her compositions pose a lot of depth, and they’re so fun to look at (especially when they’re lit!). (more…)
- Olle Eksell Site & Shop
- This Is Forest — Joel Speasmaker
- MVM — Magnus Voll Mathiasson
- Art School Cliche Spotting
- Posters Discovered in Notting Hill Gate Tube Station
- Vinyl Documentary: To Have & To Hold
- Partisan Memorials in Former Yugoslavia
- Up in the Air- Opening sequence
- Geoff Mcfetridge: Where the Wild Things Are Title Design
- Nikkatsu – Japanese actions films
People are dying for blogs y’all
Blog Wars? What the heck is going on in Chicago? People killing each other over raw RSS product? Naw, turns out Blog Wars is a gathering of Chicago’s top dance music DJs—who all happen to run successful blogs.
The poster was created by talented designer and all around rad guy Mig Reyes. I love how Mig breaks up the rigid grid with streams of folkadelic type which parallel the flow and feel of vinyl records. It slightly reminds me of Lance Wyman’s identity work for the 1968 Mexico Olympics which played off traditional Huichol Indian art. I hope Mr. Reyes printed up extra copies of this poster, because I know some people will want to get their hands on this war-torn gem!
One of the things i enjoy about Micah’s work is the range and personality found in it. There is a strong sense of playfulness throughout his portfolio; the work feels like it’s active and doing something.
Illustration for Cottage Life Magazine
Edward McGowan is an Edinburgh based illustrator with a keen eye for bright colors and rough textures.
This particular illustration, created for Cottage Life Magazine, features a white house surrounded by tall cone shaped clusters of trees and various patches of green. The composition draws one’s eye to the tiny house and skinny path, which connects the earth to the sea. The textures within this piece are coarse, and the illustration itself is reminiscent of those found in my old Social Studies books from elementary school.
Editorial Design for Issue One of Pendulum Magazine (2009)
Ah, the bustling city. This magazine cover by Canadian dynamic design duo, Komboh, has it all: high-rises, cars, trucks, and busy people. Juxtaposing the grime of the city is a thick, clean white coil, which adds a simple graphic element to the crowded urban streets. The design is straightforward, clean, unpretentious, and nice to look at.
Examining some possible layouts.
We recently received news from long-time Grain Edit friends, MINE™, about their new book in the works, tentatively titled The Good Design Book. This book is aimed at those with a critical eye and an interest in how design can affect the greater good.
Combining essays from designers as well as showcasing approximately 70 projects, the book takes a current look this expanding movement, and offers resources for those looking to get involved.
Cover illustration by Stuart Kolakovic
Nowbrow Press‘ recently sent over their spectacular first issue, Gods and Monsters. Twenty four talented illustrators and designers have been carefully selected to create work around a specific theme. I love all the pieces exhibited in the issue, and a few of my favorites come from Alex Spiro, Reuben Rude, Toby Leigh, Jordan Crane, and Sarah King.
Illustrations for Good Magazine by Always With Honor
Designed by Brooklyn based creative collective Always With Honor for GOOD Magazine’s June issue, this devastatingly entertaining info graphic depicts the “Largest Bankruptcies in History.” Its design is straightforward, simple, and fun as it uses bright colors and geometric shapes. Each boat appropriately corresponds with the data, with tiny sailboats depicting small money loss and huge cruise ships depicting major losses.
Like many, gig-posters provided my first introduction to graphic design. The images seemed to perfectly articulate the ideas and spirit of the bands I was so obsessed with. During a recent “Best of the Best of Poster Designers” conversation, I was reminded of Dirk Fowler‘s work and it’s solid place in design history.
With the speed and ease of the Internet it’s easy to see design trendiness proliferate and to focus on the latest and greatest. In a time of gig-poster saturation, it can be nice to take a step back and see where a lot of current work gets it’s roots and inspirations.