- Olle Eksell Site & Shop
- This Is Forest — Joel Speasmaker
- MVM — Magnus Voll Mathiasson
- Art School Cliche Spotting
- Posters Discovered in Notting Hill Gate Tube Station
- Vinyl Documentary: To Have & To Hold
- Partisan Memorials in Former Yugoslavia
- Up in the Air- Opening sequence
- Geoff Mcfetridge: Where the Wild Things Are Title Design
- Nikkatsu – Japanese actions films
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10 years of Vendre design magazine covers (Best of 1952-1962)
Vendre was a monthly trade magazine for graphic designers in France. It was founded by Etienne Damour in the 1920s. The magazine’s chief editor was Roger-Louis Dupuy, who in addition established one of the first advertising agencies in France. Paul Nicolas would later become chief editor and guide the magazine through the 1950s and 60s. During this time period the magazine was mostly text-based. The articles dealt with the creative and technical challenges its readers would of faced.
The issues above are some of my favorite cover designs for Vendre between the years 1952 and 1962. Illustrators and designers for these issues include Rene Chag, Ducordeau, M. Legand, Paul Funken, Roger Troubat, Francois Szalay and Henriette Mayo.
If you are interested in Vendre or the history of French graphic design, I highly recommend you pick up a copy of Michel Wlassikoff’s The Story of Graphic Design in France. It is an excellent overview of the design work this country has produced in the last 100 years.
The 1978 World Cup was held in Argentina between June 1 and June 25. Argentina would go on to beat the Netherlands 3-1. The men in this poster seem to be celebrating victory, but this seemingly innocent poster has a very dark story to tell.
Argentina had suffered a military coup only two years before the cup and was in the middle of a dirty war against left wing sympathizers. Up to 30,000 people “disappeared” during this time. These events coincided with a campaign of political repression involving dictators from other South American countries dubbed “operation condor“. Thousands of people were tortured and many lost their lives.
Sticker for Bundesgartenschau Stuttgart – 1961
The post earlier today was inspired by a sticker (seen above) I found over the weekend. I wasn’t sure what to make of this sticker when I first saw it. It looks like a giant albino bird sitting on top of the Toronto Needle. After researching the event (Bundesgartenschau) I now believe its an illustration of a weathervane. Since Bundesgartenschau is a garden/ landscaping show it would make sense that the bird’s tail feathers are flowers.
Visit the previous post (Get your Bundesgartenschau on!) for more information regarding this garden show and the graphics behind it.
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Plakat Schriften – Type specimen catalog -produced by by D stempel AG. foundry Frankfurt, Germany. This is one of the better catalogs I’ve come across. Huge Specimen samples and Bold color. Includes examples of Helvetica, Sistina, Schmalfette Binder style, Enge Fette Plak, Schmalfette Memphis, Kraftige Balzac, Halbfette Elan and Ziffern. Theres not date listed but it must be around the early 60s since Helvetica was created in 1957.
What did they feed these kids in the 60s? Their HUGE! They have no chance of riding the funliner considering their heads are bigger then the whole plane. I don’t think they want to ride in it though, I think they want to eat it.
Cool kids activity book from 1964 produced for United Airlines. Illustrations by Dick Flor. Includes a tragic tale of some campers getting their precious hamburger buns stolen by some juvenile chipmunks. Great stuff!
- He was born in 1913. Died in 1991.
- He originally came from the canton of Argovia, next to Zurich and studied at the Kunstgewerbeschule ZÃ¼rich. He then went to Bern and among other things designed the (still in use) logo of the national train company SBB. In addition, he designed a fair amount of post stamps.
- The Hans Hartmann estate seems to be in the communal library in berne.
- Lastly, here is a short bio on Hans Hartmann (In german).
Hans Hartmann is one of the lesser known designers that lived in Switzerland during the 1950s. A google search of his name brings up almost nothing. Outside of his native country his work seems to be lost in obscurity. The only information I have on him comes from a small monograph produced in 1958.
Most of his work centered around companies that were in or around Bern, Switzerland. This included designs for PTT, F. Gygi + Co. and Teppichhaus Bossart & Co. Most likely his contemporaries (Armin Hofmann, Emil Ruder in Basel , Josef Muller Brockann in Zurich) located to the North of Bern would of been aware of his work. However, I was unable to find any information that suggested any collaborations with these other designers.
If anyone has any information related to Hans or his design work, please contact me. It would be great if we could build a more complete resource on this talented designer. Thanks to the poster connection for the top 2 images.
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The Little Polar Bear who didn’t want to learn to swim c1964. Text by George Theiner with illustrations by Rudolf Lukes. This is one of the tougher kids books to find with illustrations by Mr. lukes. The drawings of the Bears and seals are locked into the book by some sort of sliding paper system. As you you turn the pages the illustrations pop out of the page and bring the characters to life. This book was featured in The San Francisco Center For the Book’s exhibition entitled Show Me a Story: Children’s Books & the Technology of Enchantment.
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Zurich never looked better in pink. Heres a promotional item produced by the Official tourists office of Zurich, Switzerland. I’m guessing it dates back to the early to mid 1950s. Layout and printing by Orell Fussli Arts Graphiques. I was able to find other projects designed by Orell Fussli but I couldn’t find any information on the firm itself. If anyone knows anything, please email me.