During a recent trip to New York, I had the pleasure of visiting the illustrious designer, Jessica Hische. In addition to creating wonderfully precise type, such as her Daily Drop Cap series, Jess carefully curates her incredible studio / home that I’m proud to feature on the site today. In today’s studio visit, she gives us advice on collecting furniture, and has a pretty awesome surprise at the end! Take a peep…

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Grain Edition #01 - Limited Edition Grain Edit T-Shirt designed by Invisible Creature

We are excited to announce the Limited Edition Galaxy Blue Grain Edit T-Shirt is now available. The shirt was designed by Seattle’s own Invisible Creature. We love the design and hope you do too! The 5 color t-shirt features a gaggle of cool creatures sitting down for story time (my favorite is the little guy with the red and blue eyes). Each shirt is lovingly screen-printed by the guys and gals over at Blue Collar Press right here in the good ole USA.

You can order the Limited Edition Galaxy Blue Grain Edit Shirt here.

For More Details:

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There’s some new job listings over at the Grain Edit Job Board. You can also follow the listings via Twitter.

1970 Self promotional calendar designed by Terzostudio (Giorgio Tramontini)

Two weeks ago we posted some of our favorite calendars for 2010. Today lets look at some calendars of the past.

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For quite a while I’ve noticed Fossil’s excellent collateral and identity — I just never knew that the man responsible for much of that work was the one-and-only, Brent Couchman. That is, until now. Brent has a great eye for mixing the clean with the colorful. His bold, bright work is engaging and historically-informed, a real pleasure to look at.

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If your in the Bay Area, there’s a cool exihbition over at Gallery 16. The exhibition celebrates the 25th Anniversary of Emigre, and will present artwork from Emigre as well as the new Gingko Press publication Emigre No. 70: The Look Back Issue – 25 Years in Graphic Design. The 512 page book covers the best of a quarter century of Emigre magazine.

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Space is the place, and I’m completely head over heels over UK illustrator Matthew Lyons!

This particular illustration, entitled Planet 4570 (1961), is a fake movie title that incorporates dramatic light and shadow, minimal brushstrokes, jewel-like crags, and strong type. His aesthetic is incredibly refined for his young age (21), and his work employs contemporary interpretations of the space age future, which feels new yet distantly familiar.

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I love the cover of this Europe by Car brochure. The roads make for a nice grid structure and give the piece a Mondrian-esque quality. The business model for the company was pretty interesting as well. Europe by Car offered services for Americans interested in traveling around Europe for extended periods of time. Using their services you could purchase a European car to use on your travels. At the end of your vacation, Europe by Car would also help ship your new car back to the U.S.

The brochure includes prices for cars from Porsche, Austin Healy, Citroen, Jaguar etc. I just wish their price sheet was still valid. A Porsche for $3700? sign me up!

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Young people working in the printing industry in Czechoslovakia from 1920s to mid century were graced with a beautiful journal, Typ. The decision to use only a couple of colors, lots of negative space, play with alignment, and change the placement of the title kept the design on the forefront, in the late 40s and today.

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I’m excited to announce that I will be writing for Herman Miller’s Lifework blog from time to time. The blog which recently launched in December, explores issues that arise around working from home.  For my first contribution, I spoke with artist Matte Stephens about his inspiring workspace. You can see the full piece here.

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