Cuba Expo 70 Stamps
Fresh stamps from our good friend Wes, this time from Cuba commemorating the 1970 World Expo in Osaka, Japan.
Fresh stamps from our good friend Wes, this time from Cuba commemorating the 1970 World Expo in Osaka, Japan.
Chicago based film collective Scenic has launched a new film project on Kickstarter.com featuring photographers Tim Navis (LA), Kim Holtermand (Denmark), and electronic composer Deru. The group will create a series of short films at various locations throughout Iceland, inspired by moments of discovery and chance occurrence. Tim’s sun-drenched SoCal landscapes and Kim’s cold, architectural abstractions provide the visual foundation, and fans of their work can imagine how exciting a collaboration between the two will be. The end result, a beautifully packaged box set of the film and companion soundtrack, will be released to backers of the project as a physical artifact of the unique and awe-inspiring experience.
To learn more about this project, please visit the Kickstarter page.
Graphic designer Andrew Woodhead takes from his Parisian surroundings by consistently managing to make each typographic project truly elegant. Whether it is a logo or a full typeface, there is a running theme of experimentation and sophisticated stylistic choices that create Andrew’s cohesive style. Designing type & typography for companies big and small, Andrew is sure to be one to watch in the world of design.
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Numbers sure are powerful, and it’s evident in this print by Seattle based illustrator Matthew Hollister. This print, created for the Chicago Art Department’s Power in Numbers show, stacks magic, bad luck, and high times in a fresh and direct style. Matthew’s portfolio is chock full of editorial illustrations employing an array of grainy textures and straightforward imagery, reminiscent of vintage Czech matchbook labels and folk art. (more…)
I’m an avid fan and collector of architectural ephemera, so I was excited to discover David Liaudet’s inspiring blog Architectures de Cartes Postales. Since 2007 David has used the space to explore modern and contemporary architecture through its representation in postcards. The online archive is filled with amazing examples of sculptural elements, signage, memorial buildings and Brutalist architecture from the 1950s-70s. If you have a couple of hours to spare I highly recommend a visit.
The work of Adam R. Garcia never fails to impress—from his intricate, detailed sketches to his polished final vector work. By day, Adam works for Nike as a designer, but also has a flourishing freelance life, in which he is predominantly a letterer. I love seeing the process of his projects, as chronicled in his blog, and it’s clear that he doesn’t have to rely on the computer to make his work look beautiful.
Gwenola Carrere is an illustrator from Brussels, Belgium. She creates intricate and playfully crafted images. Some of my favorite works of hers are from a series of illustrations for Revue Dada titled “Made in Russia”. Influenced from 1920s & 30s Soviet illustration, she borrows attributes from this period while adding a bit of her own contemporary European twist.
The work of Benjamin Critton seems to capture the essence of typography of “now”. While it may seem entirely modern, his work takes inspiration from the days of the Bauhaus and post-modern stylings of early geometric typography. He brings his simple forms and sans-serif tendencies to life in experimental ways, using books, clothing and posters. Be sure to check out his many other sites along with his portfolio, including an interesting maze of images and his shop.
Finland based artist and illustrator Sac Magique’s bold and direct style is comical and entertaining. He has a way with pairing bright and sometimes unusual color combinations with rich textures to create whimsical images of people and animals. Sac describes his style as “playful aggression, like a delicious custard pie in the face”. I couldn’t think of anything more fun and refreshing!
Condiment-loving illustrator, typographer and designer Jaime Van Wart creates some fantastically delicious work. Under the studio moniker Ketchup-Mustard, it’s very fitting that some of her most identifiable pieces were made for a beverage company named Tasty. Van Wart may well be one of the most well-rounded designers to have appeared on Grain Edit. When not creating outstanding typography and identities, she is a software designer for IBM.