Marius Roosendaal has continued to craft impressive work since we last featured him. He’s invested in a number of self-initiated projects in which he’s designed typefaces inspired by geometry and gothic scripts. I’m especially impressed with his typeface, Causeway, which is highly customizable and can be shaded to appear three-dimensional in isometric perspective. In addition to his typographic work, he’s also released prints of complex explorations with geometric patterns and organic forms. Roosendaal’s work is a great example of how artists can use passion projects to heighten their curiosity, expand their creativity, and refine their skills.
- Olle Eksell Site & Shop
- This Is Forest — Joel Speasmaker
- MVM — Magnus Voll Mathiasson
- Art School Cliche Spotting
- Posters Discovered in Notting Hill Gate Tube Station
- Vinyl Documentary: To Have & To Hold
- Partisan Memorials in Former Yugoslavia
- Up in the Air- Opening sequence
- Geoff Mcfetridge: Where the Wild Things Are Title Design
- Nikkatsu – Japanese actions films
Steve Scott is a London-based illustrator who often tells multiple stories within a single illustration. Like an author writing a novel, he crafts details that enrich the themes of his narratives and reveal the purpose and motivation of each of his characters. He thoughtfully executes his dense compositions by utilizing only 3 or 4 colors at a time. The brightest colors highlight essential elements and guide the viewer’s eyes throughout the piece.
L’atelier Irradié is a French studio founded by brothers Alain and Laurent Vonck. With a passion for photography and experimental type design, the studio creates work that is rich and dynamic. In addition to their commercial work, they’ve launched a series of self-initiated projects that allow them to explore different creative avenues such as collage and 3D modeling. This appetite for creative discovery has fueled inventive work that has been exhibited in galleries around the world and recognized by respected organizations such as the New York Type Directors Club.
John F. Malta creates imaginative work inspired by his teenage years in the Midwest. His zines and comics, such as Baboom! and The Junkyard, are filled with humorous (and sometimes existential) stories full of rebellious skateboarding punks, guitar playing monsters, and cosmic jungle tigers. His neon color schemes and the mystifying large dark eyes of his characters create lively scenes that vibrate with excitement and mischief. In addition to his personal work, he also collaborates on pieces for The Washington Post, The New Yorker, and Valley Cruises Press. To learn more about his illustrations and creative influences, make sure to follow him on Instagram and to take a look at his annual art anthology, Universal Slime.
Abbey Lossing is a Brooklyn based illustrator who crafts charming drawings and animated gifs full of lively characters and whimsical narratives. Her pastel color palettes and playful use of halftone patterns give her pieces a warm and lighthearted quality, reminiscent of children’s books and comics. Her work has graced the pages of Variety Magazine and The Magazine of Contemporary Illustration as well as Buzzfeed and Vice News. To see more of her portfolio and to take a peek at her process, make sure to follow her Instagram and blog.
Maxim Leurentop is a Belgian graphic designer who formerly worked under the alias Studio Turbo Turbo and with the Antwerp-based studio Mirror Mirror. A passionate photographer, he often couples his photographs with typographic arrangements that are playful and intriguing, yet still easily read.
Estudio Pum proudly states, “In order to find new solutions, we must leave our comfort zone.” This passion for exploration and innovation is evident through the variety of illustrative and typographic styles utilized within their body of work. From playful paper cutouts to refined type-driven websites, Pum proves that they aren’t afraid to tackle a diverse range of projects and visual aesthetics. To expand their creativity and learn how to work with different tools, the studio takes on a number of passion projects including a Risograph printed zine and a line of wooden toys and rattles.
Franklyn in a Brooklyn-based creative studio founded by Michael Freimuth and Patrick Richardson. While designing for a wide range of clients, they strive to “stay trill” and create eye-catching designs that genuinely represent the companies they work with.
Their talent for creating alluring and authentic brands can be seen within their work for Marz Brewing, a collective of brewers and artists. The studio created a flexible branding system in order to easily collaborate with the artists to craft distinctly different labels for each flavor of beer. This innovative approach to branding has led to an alluring packaging system that beautifully symbolizes the diverse personalities of each brewer.
Having a passion for expanding their imaginations and showcasing the creativity of others has led to charming self-initiated projects. They create official Franklyn swag, like toothbrushes and skateboards, and collaborate with designer Kyle Poff to create Matérial Magazine.
In this edition of Finds from the Field, we feature our trip to Sea Ranch – a modern housing community established in the mid-sixties along the Northern California coastline. Featured on and within several of these structures are supergraphics and icons by Bay Area designer Barbara Stauffacher-Solomon. In addition, she designed the logo which can be easily seen on the signage at the Sea Ranch Lodge and welcome center.