A simple, yet striking album cover designed by Human Empire. The head is constructed out of pure wood, and is reminiscent of the PBS logo from the early 1970s. The three dimensional strands of blocks on the side of the head look like stab wounds oozing with multicolored blood. If only our blood was that interesting!
- Olle Eksell Site & Shop
- This Is Forest — Joel Speasmaker
- MVM — Magnus Voll Mathiasson
- Art School Cliche Spotting
- Posters Discovered in Notting Hill Gate Tube Station
- Vinyl Documentary: To Have & To Hold
- Partisan Memorials in Former Yugoslavia
- Up in the Air- Opening sequence
- Geoff Mcfetridge: Where the Wild Things Are Title Design
- Nikkatsu – Japanese actions films
The last time we mentioned Bolda Display on Grain Edit we were drooling over its eventual release. Well now its available for purchase. I gave it a test run and I have to say, I love this font. I can’t get enough of those lowercase bubbly round slabs. Definitely one of my faves over the past year. It comes in two styles, regular and outline. This has to be the best (and only) font to be inspired by 1970s ping pong fashion.
Bruce Jamieson of the top notch design firm I Love Dust emailed me about this diamond mine of vintage cassette tape inserts he just uploaded to Flickr. The collection includes covers from Happy Sound, Bonsonic, Philips, BASF, WHSmith, Emitape, AGFA, TDK and a grip of others. Lots of great material from the 1970s and 80s.
Duane King is the creator of Thinking for a Living. A well curated collection of recommended readings and online resources. The site is filled with links to top notch design blogs and firms. Many of the resources are available in a special zine that they put together. In addition to Thinking for a Living, Duane is the creative director of Santa Fe based studio BBDK. They recently completed a project for Italian glassware company Luigi Bormioli. We don’t usually cover web design on grain edit, but I think this site is worth checking out. Clean, minimal and elegant. Very nice.
Dan Reisinger was born in Yugoslavia in 1934 to a family of painters. His early life was filled with adversity including losing most of his family to the Holocaust. In the 1940s he moved to Israel where he eventually joined the Air Force. It was here that he met his mentor and friend Abram Games. In the 1960s he set up a design studio in Tel Aviv where he helped to design the Israeli Pavilion at Expo’67 as well as create a body of work for El Al Airlines.
Grain Edit reader Dan Chamberlain sent in this rad safety match label from the 1970s. He discovered it on a recent trip back to his hometown in Essex where he stumbled upon his Grandfather’s collection of matchboxes.
You can see some of the other labels from his grandfather’s collection here.
Spacesick absolutely nailed it with his I Can Read Movies Series. The series features cult movies redone as vintage paperback covers similiar to the Penguin book cover art of the 1950s + 60s. Spacesick was partly inspired by Moss’s Movie Poster Remakes series, and all the musty old textbooks and digests that he used to love flipping through as a kid. I think my favorite is Highlander. Not only is the design great, but its absolutely hilarious.
Also worth checking:
+++Recommended viewing +++
“New won’t stay still. It finds us, ready or not.” These words lead us into this beautiful video by Berkeley based Tomorrow Partners. Really nice short celebrating the power of “new”. Illustrations by Sarah Labieniec, who also creates really nice things over at Lab Partners. Take a second out of your day, to watch this. Enjoy!
Love the pattern and texture in this awesome illustration from Max Dalton. Max is a Buenos Aires (by way of Barcelona, Paris, and New York), based illustrator and animator. His work reflects his diverse background nicely. I love how he’s able to capture the feeling and aesthetic of a certain time, and make it his own. And his type is super snappy.