Maxim Leurentop is a Belgian graphic designer who formerly worked under the alias Studio Turbo Turbo and with the Antwerp-based studio Mirror Mirror. A passionate photographer, he often couples his photographs with typographic arrangements that are playful and intriguing, yet still easily read.
- Olle Eksell Site & Shop
- This Is Forest — Joel Speasmaker
- MVM — Magnus Voll Mathiasson
- Art School Cliche Spotting
- Posters Discovered in Notting Hill Gate Tube Station
- Vinyl Documentary: To Have & To Hold
- Partisan Memorials in Former Yugoslavia
- Up in the Air- Opening sequence
- Geoff Mcfetridge: Where the Wild Things Are Title Design
- Nikkatsu – Japanese actions films
Estudio Pum proudly states, “In order to find new solutions, we must leave our comfort zone.” This passion for exploration and innovation is evident through the variety of illustrative and typographic styles utilized within their body of work. From playful paper cutouts to refined type-driven websites, Pum proves that they aren’t afraid to tackle a diverse range of projects and visual aesthetics. To expand their creativity and learn how to work with different tools, the studio takes on a number of passion projects including a Risograph printed zine and a line of wooden toys and rattles.
Franklyn in a Brooklyn-based creative studio founded by Michael Freimuth and Patrick Richardson. While designing for a wide range of clients, they strive to “stay trill” and create eye-catching designs that genuinely represent the companies they work with.
Their talent for creating alluring and authentic brands can be seen within their work for Marz Brewing, a collective of brewers and artists. The studio created a flexible branding system in order to easily collaborate with the artists to craft distinctly different labels for each flavor of beer. This innovative approach to branding has led to an alluring packaging system that beautifully symbolizes the diverse personalities of each brewer.
Having a passion for expanding their imaginations and showcasing the creativity of others has led to charming self-initiated projects. They create official Franklyn swag, like toothbrushes and skateboards, and collaborate with designer Kyle Poff to create Matérial Magazine.
In this edition of Finds from the Field, we feature our trip to Sea Ranch – a modern housing community established in the mid-sixties along the Northern California coastline. Featured on and within several of these structures are supergraphics and icons by Bay Area designer Barbara Stauffacher-Solomon. In addition, she designed the logo which can be easily seen on the signage at the Sea Ranch Lodge and welcome center.
Rune Fisker’s illustrations are vignettes of a curious and surreal land. The blank and emotionless faces of his characters add a dose of mystery to his dreamlike landscapes full of leafy vegetation, flying household items, and geometric accents. By depicting just glimpses of each narrative, he creates scenes that are enticingly ambiguous and bound to spark the viewer’s imagination.
A world traveler who has lived in numerous countries, Magoz, is a self-described “nomadic illustrator” currently based in Madrid. His portfolio is a colorful collection of highly conceptual and minimal pieces made up of simple shapes and eccentric characters. He often posts his work on his blog where he also shares artistic advice and the knowledge he’s gained during his travels. He is currently in the process of creating Illustrator’s Essentials, an online workshop inspired by questions readers have left on his blog. His course will give helpful insights how to be an efficient professional illustrator.
By mixing bristled textures with vibrant neon colors, concept artist, Juliette Oberndorfer, creates woodland landscapes that glow with mysticism. The enchanting, yet mysterious air of her work stems from her stark contrasting of darks and lights as well as the distance she places between her characters and her audience. To take a look at her storyboards and animated work, check out her Vimeo and Tumblr.
By racking up a list of impressive clients like MTV and Wired, Swedish illustrator, Sara Andreasson, is bringing female empowerment to major audiences. Utilizing traditionally feminine color pallets, she depicts strong characters that don’t conform to traditional ideas of dainty femininity. Her figures ooze confidence as their unconventional clothing and proudly worn body hair stand out in front of minimal backdrops. She portrays women of all backgrounds and body shapes by using irregular skin colors, like blues and reds, and accentuating their curves with thick bright highlights. In addition to her illustrations, she promotes her message of feminism and individualism by editing BBY Magazine, a publication she co-founded to create a community for female and queer artists and writers.
Thomas Danthony is a French illustrator and designer based in London. His cunning use of light and shadow, combined with his characters’ concealed faces give his compositions a mysterious and sometimes eerie aura. This mystifying mood also lingers into his personal work which often centers around the theme of travel, the romance of going on a journey, and how time can affect our memories of the places we’ve visited.