Christopher David Ryan describes himself as a “a graphic artist, illustrator, daydreamer, pseudo-scientist, wanna-be astronaut and untrained intellectual.” Recently, he published the third installment to his As Overheard in the Back of My Mind series of books, which features a collection of thoughts and images from the depths of his psyche. Chock full of peppy people and inspirational adages, this book is a great addition to your bookshelf.
Opus 73 / Radio Nederland 1973/ Cover design by Dick Elffers
Project 33 is a curated collection of vintage album covers all lovingly scanned by the owner of Seattle’s Jive Time Records. The growing archive focuses on cover art with simple shapes and a minimalist approach to the overall design. Enjoy!
Impressive / 240 Pages / Published by Gestalten
Finally got my hands on a copy of Impressive. The book explores the interplay between current trends in graphic design and traditional handiwork such as letterpress printing, hand-cut linotype, chiselled woodblocks, and embossing. In addition to a rich selection of invitations, business cards, stationery, posters, and other material printed by hand, it offers personal insights from designers who are using old-fashioned techniques to create cutting-edge work.
Really looking forward to the release of The Visual Language of Herbert Matter. It’s due to hit theaters this summer. The film was a finalist in the SXSW title design competition and the poster (designed by Cristiana Couceiro) just won a Merit Award at the 3 x 3 Professional Illustration Show.
I received an email earlier this week from the nice folks at Jonathan Adler. They are currently looking for a product designer to help design soft and hard goods for new business partnerships. Other recent additions to the grain edit job board include positions at Apple and MTV Networks.
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Typographics is where it’s at!
This illustration, designed for Computer Arts Projects, is by Moscow based artist Aske. Created for his personal art project titled Sicksystems, Aske playfully shows the various levels of typography…literally! He has a real knack for using interesting forms, bright colors, and celestial details in his work.
Deutsche Bundespost: Internationales Jahr Des Kindes stamp c1979 Karl Oskar Blase’s son is the boy in the image.
Karl Oskar Blase was born in the German city of Cologne (Koln) in 1925. At the age of 25 he attended the Wuppertal School of Industrial Art to study painting and graphic design. Around the same time he formed a design studio with Felix Muller. One of the studio’s more significant projects was to develop the layout for form magazine. Karl would go on to design almost all the covers through 1968. Karl also taught at the Kassel school of Industrial Art and designed many stamps for the Deutsche Bundespost.
Buenos Aires based illustrator and artist, Nate Williams, is a force to be reckoned with! This illustration, entitled Lion and Molecules, uses an earthy palette reminiscent of A&W root beer; the chocolate brown layered over the orange and cream is a real treat! It’s choc full of organic shapes and patterns, including really lovely star bursts and variations in line texture and weights. Nate’s hand drawn type is also very fun and unique as it juxtaposes thick and thin, masculine and feminine.
While I was in Maine I discovered this book put together after the 1974 Biennale of Graphic Design in Brno, Czechoslovakia (now the Czech Republic and Slovakia). The book contains notes and essays from a symposium centered around corporate identity.
Wim Crouwel contributes an essay on the problems with house-style. In the essay he discusses the role of a designer in the creation of a corporate identity program and describes the difference between what he calls “information designers” and “advertising designers. He ends the essay off with a few thoughts on trademarks (abstract symbols vs type driven solutions).
Awesome collection of posters for Shell Oil Company dating back to 1964. The series was created by Australian designer Frank Eidlitz.
