Trui Chielens
I’m looking forward to seeing more from the talented Trui Chielens. Often working with a limited color palette the Belgian illustrator creates work that delights and charms the eye.
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I’m looking forward to seeing more from the talented Trui Chielens. Often working with a limited color palette the Belgian illustrator creates work that delights and charms the eye.
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I love the portfolio of Tomi Um. Her work is clever and thoughtful—just so perfectly editorial—and yet retains such an artful feeling, that she takes the idea of conceptual/op-ed illustration to a different level. I’m consistently impressed at her ability to bring a vibrant visual life to news articles, and makes me hope that I can bring the same sort of excitement to my own work. Tomi has rightly won several awards and accolades over the past few years (such as ADC Young Guns & Print Magazine’s NVA), and here’s to many more for this great young illustrator.
The sweet and quirky work of Mary Kate McDevitt never fails to delight. Her personality shows through in every brush stroke and chalk mark, and really accentuates her obviously love for her craft. With a quickly growing client list of industry big-timers like Chronicle Books, Lehigh University, Better Homes & Gardens and Rachael Ray Magazine, Mary Kate seems to be on a path to lettering success.
Great work coming from Argentina-based Estudio Tricota. Shown above is their work for Calma, a music festival — I love the movement in the piece and all of the small, considered typographic details.
Grain edit fave John Solimine recently teamed up with Andy Hullinger and NY-based app development team Small Planet to create a new interactive storybook called Dragon Brush.
Based on a traditional Chinese folktale, Dragon Brush is the story of Bing-Wen, a young boy who loves to paint. When given a magical brush that makes drawings come to life, Bing-Wen must use his art and his wits to outsmart the greedy Emperor.
Dragon Brush Features narration by Matt Berninger and music by Aaron Dessner and Bryce Dessner, from the acclaimed band, The National. Check out the site for more info.
Graphic Design: History in the Writing (1983–2011) comprises some of the most influential published texts about graphic design history. The book documents the development of the relatively young field of graphic design history from 1983 to today, underscoring the aesthetic, theoretical, political and social tensions that have underpinned it from the beginning. Included in the anthology are texts by Ellen Lupton, Robin Kinross, Massimo Vignelli, Steven Heller, Victor Margolin and many others.
Visit occasionalpapers.org for more info and to pick up a copy.
Thanks to Ryan Putnam for sending us this sweet Amperbranch print! This limited edition print is letterpressed on 65pt natural recycled coaster stock and makes for a wonderful gift for nature lovers and type aficionados alike. Also available on the amperbranch site are downloadable wallpapers for your phone, pad or desktop.
Heartwork is a project designed to raise money for art supplies at Target House—this wonderful home-away-from-home for the families of children facing long-term treatment at St. Jude’s Children’s Research Hospital. The idea is simple. Every year, a group of talented artists are selected to create a series of 11″ x 14″ giclee prints with a specified theme, this year being the word ‘HOPE’. Each edition is limited to only 10 pieces and signed/numbered by the artist.
Here’s a sample of the prints available in this year’s Heartwork benefit.
Julianna Brion is a Baltimore, MD based illustrator with a wonderful eye for details and beauty. She creates memorable images, such as this book cover illustration for Roald Dahl’s James and the Giant Peach. I love the way she uses pencil in all of her work, which has a nice textural quality that I can’t get enough of.