Typography

“et” style ampersand that appears to be based on the letter “B”

Just found out about this swell blog called The Ampersand. Yep a whole site dedicated to the little homies. Quotes, design and photos of wild Ampersands roaming the streets.

Also, check out this great new blog by the people of Crew Design. Choc full of design goodness! Many thanks to Meghan for hipping me to this cool site.

Vette Annonce type specimen sheet late - Netherlands 1950s/ early 60s

Happy Wednesday! It’s been a while since I’ve posted any type specimens, so I figured it was time to post this gem from Lettergieterij ‘Amsterdam’ (Amsterdam Type Foundry) which was founded by Nicolaas Tetterode. The specimen is a tri-fold that opens to reveal an 11 X 17 sheet. I’d love to know more about Tetterode, ATF, and this typeface. Can any of the typographers out there fill in the blanks? Has Vette Annonce been digitized? I believe “Vette Annonce” translates to “fat advertisement”. With that in mind, is “Vette Annonce” even the name of the typeface?

Sander from segd sent me a link to this cool font contest. Try your luck at What the Font?

Antonio over at Aisleone just released a great new typeface called Enotmik. It’s a two weight display font that pays homage to Helvetica and Avant Garde.

You can buy the font here.

From the book - Jacqueline S Casey Thirty years of design at MIT

Beautiful work from graphic designer Jacqueline Casey. It mentions in the book she was inspired by Karl Gerstner, Kurt Wirth and Anton Stankowski.

“In the early 1950s, John Matill, a writer and editor, founded the MIT office of publications. He was joined in 1952 by Muriel Cooper. Cooper was among the first designers ever hired by a university to represent it graphically. She and Matill hired Jacqueline Casey to design summer session materials in 1955.” Casey continued to work for MIT until her retirement in 1989. (Taken from the introduction of the book.)

Mike Davis aka Mike the 2600 King is part of a design collaborative known as Burlesque of North Of America. In addition to their design work they are a full service screenprinting studio.

I first ran into Mike while on a cross country record digging trip in 2003. My friends and I were crashing with some of the cool cats at galapagos 4. They heard that Mike was spinning at one of the local clubs, so we decided to check it out. Mike was laying down some serious funk/ soul heat that night and the club was packed. Later I found out that in addition to be a great dj, he was an excellent designer creating posters for my friends at anticon.

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In the first part of our new Record Gallery Series Mike Davis (aka MIKE THE 2600 KING) - uber cool designer for Burlesque of North America has put together a gallery of some of his favorite record covers. This well rounded collection includes covers by design heavyweights like Milton Glaser to design unknowns, as in the case of the local/ private press lps.

In addition, he has created an exclusive dj mix for grain edit with songs taken from the records featured in the gallery. We hope you enjoy it.

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Typographes d’Estienne 1950

It’s been a while since I’ve posted any type-related goodness, so I figured it was time to post the slab of paper above. The book includes 40 - 50 pages of modern San Serif specimens worked into menus, advertisements and letterheads. In addition, there are several tipped in brochures and posters you can flip through. Given the title, I would assume this is an annual and that there are other years available.

Pino Tovaglia book - The rule that corrects emotion

In addition to this blog, I own a small design bookstore. As a bookseller, I find it hard to find publishers that consistently produce quality titles. Italian publisher Edizioni Corraini is one of a few publishers that I look forward to their new releases each year. If you own or have seen any Bruno Munari books, you are most likely familiar with their work. They have reproduced dozens of Munari’s books, many of which I own in my personal collection. In addition to the Munari collection, they have produced books on or by Martí Guixé, Enzo Mari, Aoi Huber-Kono (Max Huber’s wife),Taro Miura, Albe Steiner and many others. With this in mind, I was delighted when I received an email from them mentioning that they had been reading Grain Edit and that they would like to send a package my way.

I will cover the contents of the package in several posts. The first being the Pino Tavaglia book seen above.

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Cover illustration/typography for the Yale University Art Gallery spring catalog

Garrett Morin does great work. He draws lots of type and makes people happy. You may have seen his works in the likes of Mike Perry’s Hand Job book. If you click on over to his site, you’ll find lots of happy characters, t-shirt graphics, corn-cob pipes, animated GIFs, skateboard graphics, magazine covers, and a great animated spot for Death Cab for Cutie / MTV.

Garrett’s also a member of the Rad Mountain collective, which recently did some yummy illustrations for Good Magazine. Check it.

Stedelijk Museum program / poster c1970 - Wim Crouwel - designer

Total Design was responsible for designing many of the catalogs/ programs for the Stedelijk Museum in Amsterdam during the late 1960s and early 1970s. The program above was created by Wim Crouwel and Jolijn van de Wouw (of Total Design) for an exhibition in 1970. The program folds out to a full size poster that reveals a huge letter “A” and the number “7″ which stands for Atelier 7. Atelier translates to “work shop” in English so, this might be referencing a gallery number or possibly the name of the exhibition. On the other side of the poster, it lists the artists and their artwork featured in the gallery.

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Silkscreen Print for a Drama magazine sponsored show at Nonesuch Gallery

Cool design work from Wyeth Hansen (Casual Aesthetics). His website includes t-shirts, posters, type faces as well some motion design. I’m loving the type work above.

(Via Wrong distance)

Alexander Girard alphabet blocks designed and produced by House Industries

Many thanks to the guys at House Industries for sending over a box of goodies. Included in the box was a set of Alexander Girard alphabet blocks. These blocks were the result of a collaboration with the estate of mid-century designer Alexander Girard, the 28 wood blocks feature alphabets based on the forthcoming Alexander Girard font collection and a cleverly-adapted House Industries factory logo puzzle. I have been jocking these blocks since day 1. They have been on my want list for a while. My wife and I don’t have kids yet, but when we do, I can tell you one thing for sure. There is no way the kids are going to touch these! ha! These are daddy’s blocks!

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Westvaco Inspirations #210 c1958

Westvaco Inspirations was a promotional journal produced by the Westvaco Corporation, formerly known as the West Virginia Pulp and Paper Company. The purpose of the journal was to highlight the printing processes and quality of paper achieved by the Westvaco paper Mills. Bradbury Thompson (1911-1995) served as designer and editor for over fifty issues of this publication including the issue featured above.

My first introduction to Wink was four or five years ago when their packaging for Sunmilk was making the rounds in the design magazines and annuals. Since then, I’ve tried to keep an eye on their work. What has impressed me the most about Wink has been their ability to consistently produce top notch work.

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Deberny & Peignot - Types from Paris c1960s?

Deberny and Peignot Type specimen booklet imported and distrubuted by Amsterdam Continental.

Includes:
Peignot - created by A.M. Cassandre and Charles Peignot, issued in 1937 for the Paris International Exhibition.

Meridien - Introduced in Europe in 1958-1959, created by Swiss type designer Adrian Frutiger.

Cristal - Designed by Remy Peignot, issued in Europe in 1957.

Jacno - Issued in Europe in 1952, designed by Marcel Jacno.

Ondine - By Adrian Frutiger, issued in 1957.

Fortuna or the typeface formerly known as Fortune also known as Volta first arrived on the scene in 1955. No wonder why the layout of the type specimen booklet seen above is yodeling with schizophrenia. This type face is having an identity crisis! Even if the name is confusing, the design is still beautiful.

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Spike Press is the monikor for one John Solimine, a Chicago based designer. In a world overrun by gig-poster designers, it’s refreshing to see someone with a little originality and illustration sense. These posters are fun, whimsical, and full of narrative — each poster has a very engaging mini-story that will pull you and your wallet right in. Enjoy!

Plakat Schriften - Type specimen catalog -produced by by D stempel AG. foundry Frankfurt, Germany. This is one of the better catalogs I’ve come across. Huge Specimen samples and Bold color. Includes examples of Helvetica, Sistina, Schmalfette Binder style, Enge Fette Plak, Schmalfette Memphis, Kraftige Balzac, Halbfette Elan and Ziffern. Theres not date listed but it must be around the early 60s since Helvetica was created in 1957.

I’ve always been told that when designing a film festival poster to “NEVER use a camera!” in the imagery. Well, Jesse Kirsch just did it, and I’d say it turned out pretty awesome. While he was at it, he also designed a map of Manhattan as a leaf, and a Beatles poster using only hair! What a rule breaker!

Jose B has put together a nice collection of Citroen brochures at his website citrobe.org. I’m not a huge fan of the actual car but boy do I love these brochures. Just look at that type flying out the trunk in the bottom picture!

Dimensions Abc - This is a promotional piece from 1966 for a new paper produced by Simpson Lee paper company called Talisman. They chose wood type to compliment the texture of the paper. I love the layout and the ink is laid on here thicker then maple syrup. Looks like its part of a series since its labeled volume #9 winter 1966-1967.

The paper companies during this time period (late 1940s-mid 1960s) were cranking out some incredible pieces. Just look at the work Bradbury Thompson was creating for Westvaco, Marquandt paper’s - Design and paper series (including Erik Nitsche and Ladislav Sutnar) as well as Champion papers’ Imagination series. I will be posting some of these in the weeks to come.

I have a very special place in my heart for poster design. Especially poster design that incorporates type in an interesting, fresh way. I mean, how do they do that? It looks too easy! Andrio Abero, the man behind the poster and design studio 33rpm, is a master at “type and image integration.” This is one of the first firms that kick started my obsession with the poster, way back in the early 2000’s.

Non-Format are a twin-continent based award winning design firm. They also happen to be the kings of super thick and chunky left justified type. They posses the unique ability to seamlessly integrate their big type with organic illustrative elements, with very nice results. In addition to running their studio, they also design Varoom, a journal of illustration and made images, art directed by Adrian Shaughnessy. In addition, they just released a book.

I stumbled across WSDIA (We Should Do It All) Design Studio from the winners list of ADC’s 2006 Young Guns Award. This firm has a great eye for type, detail, and apparently skittles! Check out WSDIA’s website as well as an episode of The Creative Backstory: ADC Young Guns, Big/Small, featuring WSDIA. This short series explores the question about a design firm’s size: does size matter?

Joel at Blue Ant Studio has designed a wonderful alphabet for kids using iconic mid century modern furniture. The design was originally limited to wooden building blocks, but now theres plans for a poster as well. Why didn’t I have something like this when I was a kid? Learning the alphabet would of been a piece of cake. I can see all the spelling bee trophies I would of won thanks to Eva Zeisel and Hans Wegner.

This is part 2 of an interview with Wim Crouwel at Galerie Anatome in Paris, 2/2007

This is part 1 of an interview with Wim Crouwel at Galerie Anatome in Paris, 2/2007

Now in its 4th year, Personal Views is a unique series of conferences that brings together an unparalleled group of designers, writers and educators from the world of graphic design. Coordinated by Andrew Howard, and taking place at the Escola Superior de Artes e Design in Matosinhos, Portugal, the series aims to examine contemporary definitions of graphic design by asking these professionals to talk about the values and objectives that have value for them. It is an attempt to explore where the boundaries of contemporary practice lie, to discuss what we might expect of ourselves, and to examine what social and cultural objectives we seek to fulfill.

Available online are lectures by Experimental Jetset, Ellen Lupton, Erik Spiekermann, Wim Crouwel, Steven Heller and Neville Brody among others.

Marian Bantjes considers herself “independently pursuing a combination of illustration and design.” She really understands how to capture a spirit in typography. Ironically, she designed the Design Matters Live poster, an event we featured earlier this week. Take a look at Marian Bantjes’ website to gain a better understanding of where her organic typography stems from.

If you like experimental typography, art, Moby Dick, and the letter ‘E’ this is the exhibit for you. Hailing from the midwest, Justin Quinn makes fascinating typographic compositions based on Herman Melville’s epic. Using only the letter ‘E’ and graphite, Quinn recounts entire chapters from Moby Dick. For example, the above piece is entitled “Moby Dick Chapter 55 or 9200 times E.” That’s a lot of E’s. If you’re in the mood for more typography a la concrete poetry, please see Justin’s work at MM Galeries.

Self described as “Wayne and Garth meets Chermayeff & Geismar,” Post Typography, from Baltimore MD, was originally conceived and founded in 2001 as an avant garde anti-design movement by Nolen Strals and Bruce Willen. They specialize in graphic design, conceptual typography, and custom lettering/illustration with additional forays into art, apparel, music, curatorial work, design theory, and vandalism.

Ahhh I love this. The sweet voice of Nina Simone blaring through my cheap Labtec computer speakers and the sight of black n white serifs turing into dragonflys. This definitely made me smile…or I should I say “feel good”.

If you haven’t seen this already its worth a watch.
Nina Simone - Feeling good

Herb Lubalin b.1918 -d.1981. If you haven’t bit his work, or butchered his typefaces, you’ve at least seen his iconic typographic logo for Avant Garde magazine. The logo spawned a type face of the same name in 1970 which was later condensed by Ed Benguiat. Many people are unfamiliar with his work beyond this typeface so, please take a moment to check him out. Thanks to Peter Gabor of the excellent Design & Typo site for providing the Herb Lubalin tribute gallery.