Label from Bardola Hoyfjellshotel in Geilo, Norway - c1960s?
I think I’m obsessed with modern Scandinavian design from the 1950s- 1960s. First it was furniture and kids books, then Ceramics and now luggage labels! Where does it end? What’s in that Nordic water?
Richard Erdoes was an author and illustrator. He was born in Vienna, Austria in 1912 and later immigrated to the United States. The book above is one of a 3 part “around the world” series. The other two books were Musicians of the world and Peddlers and Vendors of the world. Both of which, were produced around the same time in the late 1960s.
It looks like Erdoes’ used a combination of Pen/ Ink and gouache to achieve the finished look found in the images above. This reminds me of the work of Miroslav Sasek who I believe used gouache as well.
Industrial designer / illustrator Syd Mead is well known for his vehicle designs and backgrounds for classic science fiction films like Blade Runner and Aliens during the 1980s. Long before these projects, he produced a series of conceptual illustrations and paintings for US Steel. The futuristic automobiles, diagrams and environments were published in several promotional books during the early 1960s.
These books are intense to look at. The full page spreads are over 2 feet wide and heavily detailed. Keep in mind when viewing the images above, that this work is very early on in his career, as he had recently finished his studies at Art Center in Pasadena.
Running with a Japanese theme today. Can’t stop thinking about those flicks I caught this past weekend. Great cover for a Japanese graphic design magazine from the sixties.
Jerry Fujio and Jo Shishido in A Colt is my Passport c1967
I had a chance to check out a few films from the No Borders, No Limits: 1960s Nikkatsu Action Cinema series this weekend. These super stylized films produced by the Nikkatsu film studio were heavily influenced by Hollywood and the French New Wave. The Seijun Suzuki films re-released by Criterion are part of the Nikkatsu catalog. If you’ve seen any of Suzuki’s films, it will give you an idea of the films featured in the No Borders, No Limits series.
The series focused on some of the more obscure films to come out of the Nikkatsu studio. All 3 films I saw were great. I just wish I could of seen the other 3. You can find out more about these films at Outcast Cinema.
I don’t know much about the company that published the book on the right, but the book on the left was published by Kappa in 1963. Keep your eyes out for Kappa, they have other cool covers.
(t) Jazz/ Rock voicings for the contemporary keyboard player c1974
(b) Jazz Improvisation for keyboard players c1978
I picked up these two books over the weekend. They are part of an instructional jazz book series produced in the 1970s for Studio publications and recordings. I’m not sure who responsible for the cover design but, I like how he limited it to a few simple shapes and the type. Both books are written by Dan Haerle, but there are others in the series by Rufus Reid and Ramon Ricker.
Cool book cover illustration by Staffan Wiren. Great example of swedish modern illustration from the 1960s.
On a sidenote, just talked to my friend Joe Beats and he’s got a killer mix online that he put together for designer vinyl toy store Munky King. Listen to the mix here.
HIGHLY RECOMMENDED!
From the book - Jacqueline S Casey Thirty years of design at MIT
Beautiful work from graphic designer Jacqueline Casey. It mentions in the book she was inspired by Karl Gerstner, Kurt Wirth and Anton Stankowski.
“In the early 1950s, John Matill, a writer and editor, founded the MIT office of publications. He was joined in 1952 by Muriel Cooper. Cooper was among the first designers ever hired by a university to represent it graphically. She and Matill hired Jacqueline Casey to design summer session materials in 1955.” Casey continued to work for MIT until her retirement in 1989. (Taken from the introduction of the book.)
The images above are from the introduction to The collected writings of graphic designer Alvin Lustig (c1958). When I first found out about this book, I was going nuts trying to find a copy. I wasn’t able to find one, so I had to settle for a photocopy of the one presently in the RISD library. A couple of years ago, I finally tracked one down. It was worth the wait. It’s a short book (only 95 pages), but it has some real nuggets. It contains interviews and articles on Alvin from Interiors magazine, AIGA Journal, Design Quarterly, Type Talks and a few other sources. Wonderful insight into his design thinking and process.
In the first part of our new Record Gallery SeriesMike Davis (aka MIKE THE 2600 KING) - uber cool designer for Burlesque of North America has put together a gallery of some of his favorite record covers. This well rounded collection includes covers by design heavyweights like Milton Glaser to design unknowns, as in the case of the local/ private press lps.
In addition, he has created an exclusive dj mix for grain edit with songs taken from the records featured in the gallery. We hope you enjoy it.
The Asian American Film Festival is in San Francisco now, so I had a chance to check out “Blood Brothers” which is one of the more recent films produced by John Woo. Anyone else seen this? Overall I thought it was pretty cheesy, but the ending wasn’t too bad. On the way to the theater I stopped by my friend Cool Chris’s record shop. Chris runs Groove Merchant which is notorious amongst beat diggers and record collectors as the place to go if you want to find rare jazz, funk and library lps. While I was there Chris hit me off with a copy of the record above.
The John Hawkins lp seen above is part of a series of 45s (the little records..7″) initiated by CAPAC (Composers, Authors and Publishers Association of Canada Limited). I’m less concerned with the music on this album as I am with the design of the logo. The rounded letters take form as records with the lines of different weights creating the grooves. It wasn’t uncommon to see logo treatments like this in the 1970s and I think this is one of the better examples.
Several weeks ago I posted a Jacques Nathan Garamond Telefunken poster. One of my comments was the poster would look better if Jacques killed the telefunken logo located to the right of the reel to reel. Grain Edit reader Daniel Knef was nice enough to send us a modified version of the poster minus the logo (see above). I realize this poster would not of been possible without the client and obviously their branding is going to be part of the design. However, its nice to see the design without any distractions.
Many thanks to Daniel for sending us the updated version. Be sure to check out his electronic music compositions at gran où lée.
Swiss Air pamphlet - designer: Kurt wirth and Paul Beer c1950s
SwissAir has a rich history with some of Switzerland’s finest designers. Over the last 60 years the Airline has worked with Karl Gerstner, Kurt Wirth, Donald Brun, Fritz Buhler and Siegfried Odermatt just to name a few. The pamphlet above is one of many brilliant pieces to result from this relationship.
It appears to be some sort of promotional piece for the Douglas DC 7 which was produced in 1956. I love how Kurt Wirth laid out the information.
You can see the rest of the pamphlet at Ace Jet 170. Many thanks to Richard for posting this gem.
It’s been a while since I’ve posted any type-related goodness, so I figured it was time to post the slab of paper above. The book includes 40 - 50 pages of modern San Serif specimens worked into menus, advertisements and letterheads. In addition, there are several tipped in brochures and posters you can flip through. Given the title, I would assume this is an annual and that there are other years available.
Stedelijk Museum program / poster c1970 - Wim Crouwel - designer
Total Design was responsible for designing many of the catalogs/ programs for the Stedelijk Museum in Amsterdam during the late 1960s and early 1970s. The program above was created by Wim Crouwel and Jolijn van de Wouw (of Total Design) for an exhibition in 1970. The program folds out to a full size poster that reveals a huge letter “A” and the number “7″ which stands for Atelier 7. Atelier translates to “work shop” in English so, this might be referencing a gallery number or possibly the name of the exhibition. On the other side of the poster, it lists the artists and their artwork featured in the gallery.
Clarence Lee graduated from Yale in 1958 and went on to work for the uber graphic designer Lester Beall. In 1962 Clarence left Beall’s firm to work for IBM. During his time at IBM he designed the poster above for the IBM 7094 Data Processing System. The 7094 was released in 1962 and was built for large-scale scientific computing.
During the late 1950s - early 1960s, Paul Rand, Charles Eames ,Marcel Breuer and Eliot Noyes were involved in design work for IBM. It would be interesting to find out if Clarence had any interaction with these designers.
I wish I could tell you more about this one. I pulled this out of a book I have on 70s + 80s Japanese graphic design. All the text is in Japanese so, I have no clue on who designed this. Anyone recognize this work? I have no idea why theres a gaggle of balloon animals chillin in a tree. If someone could translate the text below the animals, that would be great.
The piece above is one of a series of posters that paris based designer Jacques Nathan Garamond produced for Telefunken. I just wish I could cut out that Telefunken logo. It kind of kills the vibe of this poster. You have all these round edges on the type and the reel to reel player and theres this crazy sharp edge ninja star with lightning bolts.
During the 1950-1960s Garamond began deconstructing objects into geometric shapes. This is evident in the print above as well as his poster work for Air France. I’ll try to scan in some of the Air France posters when I get a chance.
Giant Golden Book of Biology - An Introduction to the Science of Life c1961
Text by Gerald Ames and Rose Wyler - Illustrated by Charley Harper
It doesn’t get much better then this. This is Charley in his prime.
“In a style he called “minimal realism”, Charley Harper captured the essence of his subjects with the fewest possible visual elements. When asked to describe his unique visual style, Charley responded:
When I look at a wildlife or nature subject, I don’t see the feathers in the wings, I just count the wings. I see exciting shapes, color combinations, patterns, textures, fascinating behavior and endless possibilities for making interesting pictures. I regard the picture as an ecosystem in which all the elements are interrelated, interdependent, perfectly balanced, without trimming or unutilized parts; and herein lies the lure of painting; in a world of chaos, the picture is one small rectangle in which the artist can create an ordered universe.[cite this quote]
He contrasted his nature-oriented artwork with the realism of John James Audubon, drawing influence from Cubism, Minimalism, Einsteinian physics and countless other developments in Modern art and science. His style distilled and simplified complex organisms and natural subjects, yet they are often arranged in a complex fashion. On the subject of his simplified forms, Harper noted:
I don’t think there was much resistance to the way I simplified things. I think everybody understood that. Some people liked it and others didn’t care for it. There’s some who want to count all the feathers in the wings and then others who never think about counting the feathers, like me.”
BarryBlog has posted a rare glimpse of some in-house publications for Herman Miller. They were produced in conjunction with the great design thinker Ralph Caplan, and designed by John Massey of Container Corporation of America fame. I’m drooling! I’d love to read these. Maybe we can get the good people at Barry Blog to make photo copies.
The battlefields of Arnhem and Oosterbeek in the Netherlands never looked so good as they do in Pink and Teal. The battles were part of Operation Market Garden. It was here that the famous “First Airborne Divison” consisting of more then 8000 men, under the command of Major-General Urquhart, glided down to earth on the morning of Sunday September 17, 1944.
The scaley, snake looking trail in the lower half of the map represents the Rhine River. The battlefields can be seen as the solid patches of brown. I really appreciate how the map designer cut away the airplane and parachute icons from that mass of brown. Simple, effective and creates some interesting shapes within the negative space.
On a sidenote, watched “King of Kong” this weekend. Great flick. Definitely biased in its presentation but none the less Billy still comes off like a really sorry bob. After all the talk of competitive gaming and playing in front of people, I was surprised that he didn’t step up to the challenge at the Guinness event in Florida. Thoughts?
Israel -the land of the Bible Tourism posters by Jean David (L) c1954 (r) 195? produced for the State of Israel Tourist Centre
My Knowledge of Jean David (Sometimes referred to as Jan David) is limited. However, what work I’ve seen from him has been nothing less that stellar. Just look at the posters above. I could easily see someone slanging these at a Flatstock poster convention. Dang, I totally nerd out when I see this stuff. Its just so good.
Looks like the whale is riding a boat of waves. Meanwhile, Jonah is relaxing after downing a keg of Vitamen C. Just look at all that orange!
Publicity and graphic design in the chemical industry - Hans Neuburg 1967 (Chemie Werbung und Grafik) Contributions by Josef Muller Brockmann
Clap your hands if you love swiss design.
This is got to be one of the best books on graphic design in the chemical industry. Ha! this probably the only book on graphic design in the chemical industry. Most of the design work in the book is for pharmaceutical companies. Companies include J R Geigy and Ciba Aktiengesellschaft, both located in Basel, Switzerland.
The index in the back reads like the whos who of Swiss design. Designers include:Karl Gerstner, Herbert Leupin, Siegfried Odermatt, Hans Erni, Max Schmid, Fred Troller and Kurt Wirth amongst others.
Just look at the pictures above, the work is incredible. Anyone have any nominations for pharmaceutical/ chemical companies that have great design? Maybe we should put together a top 5 list. For example, the always fun top 5 favorite poisonous gas logos.
Westvaco Inspirations was a promotional journal produced by the Westvaco Corporation, formerly known as the West Virginia Pulp and Paper Company. The purpose of the journal was to highlight the printing processes and quality of paper achieved by the Westvaco paper Mills. Bradbury Thompson (1911-1995) served as designer and editor for over fifty issues of this publication including the issue featured above.