graphic design

Label from Bardola Hoyfjellshotel in Geilo, Norway - c1960s?

I think I’m obsessed with modern Scandinavian design from the 1950s- 1960s. First it was furniture and kids books, then Ceramics and now luggage labels! Where does it end? What’s in that Nordic water?

also worth checking:
Swiss Modern luggage label
Modern luggage label from Portugal

El Gran Robo Del Tren De San Trinian - c1968

I recently received an email for this great new blog that focuses on Cuban posters. The site is a wonderful resource for posters produced by ICAIC, OSPAAAL, COR, Casa de las Americas and other cultural, political and social agencies in Cuba.

Mar Hernández aka Malota aka really cool designer living and working in Valencia, Spain, offers an extremely fun and inspiring collection of work for our viewing pleasure. Mar’s style is really bold and graphic, but very detailed and complex at the same time. She has a nice range of work — from very flat, computer drawn images, to a sketchier, looser, hand drawn style.

Check out the video entitled “Greenville.” Very cool motion graphics.

Poster for Salon auto geneve - march 14-24 1963

Easily in my top ten favorite posters.

Salon Auto Geneve (Salon International de l’Auto) is an annual auto show held in March in the Swiss city of Geneva. I admire Brun’s decision to represent the event in an a very abstract way. The white circles used as automobile headlamps look like they are derived from a compositional exercise in one of Armin Hofmann’s classes. This would make sense since Donald Brun taught at the Allgemeine Gewerbeschule (Basel School of Design) along side Hofmann.

also worth checking out:
Poster by Swiss designer Hans Neuburg

Cool work from Brooklyn based illustrator and designer Stephen Kelleher aka Frankenstyles.

Marcus Walters, a designer and illustrator from the UK, loves washing machines. A lot of his work is similar to the above image — which reminds me of putting felt onto a feltboard as a kid. They have that very flat, semi-dimensional quality to them which I love.

Marcus is also a part of New Future Graphic, which is more graphic design-oriented (posters, ad’s, books, etc).

Matchbooks for Hunt-Wesson by Graphic designer Saul Bass

Jon (Insect54) posted this amazing set of matchbooks on flickr last night. I’ve never seen these before. I’m digging the pixelated flower in the lower left corner and the orange and yellow pattern on the 3rd down, 3rd to right is really nice. Saul designed the logo for Hunt-Wesson in 1964 so I’m guessing this work was produced right around the same time.

Can’t get enough of Saul?
check these out:
Henri’s Walk to Paris - children’s book illustrated by Saul Bass
San Francisco International Film Festival poster
Saul Bass’s Case study house

Vette Annonce type specimen sheet late - Netherlands 1950s/ early 60s

Happy Wednesday! It’s been a while since I’ve posted any type specimens, so I figured it was time to post this gem from Lettergieterij ‘Amsterdam’ (Amsterdam Type Foundry) which was founded by Nicolaas Tetterode. The specimen is a tri-fold that opens to reveal an 11 X 17 sheet. I’d love to know more about Tetterode, ATF, and this typeface. Can any of the typographers out there fill in the blanks? Has Vette Annonce been digitized? I believe “Vette Annonce” translates to “fat advertisement”. With that in mind, is “Vette Annonce” even the name of the typeface?

I’ve been meaning to post this for a while. I first came across Tyler Lang a few months ago when his Universal Demand poster for Ringling School of Art and Design was making the rounds on select blogs. His portfolio is filled with great work, I just wish I could see more. I especially like his logo system for the Sarasota Design Summit and the Ford piece seen above.

Israeli environment stamps - 1975

Beautiful stamps addressing both noise and industrial pollution.
Be sure to check out this modern stamp from Israel as well.

Wayne Pate runs GoodShapeDesign, a Brooklyn, NY based design shop and all around fun place. I’m really into his “Flock” series — if you’re a fan of our feathered friends, now you can have 18 on a single poster!

Also check out his artwork section for some really inspiring collages.

Zurcher Kunstler in der Kunsthalle Basel, Switzerland- c1966

Beautiful poster by Swiss graphic designer and author Hans Neuburg.

If you like this, check Publicity and graphic design in the chemical industry  a book by Hans Neuburg.

(via Crabstick’s killer Flickr photostream)

Graphic design magazine - japan 1965

Running with a Japanese theme today. Can’t stop thinking about those flicks I caught this past weekend. Great cover for a Japanese graphic design magazine from the sixties.

Also worth checking out, is this Japanese poster we posted.

Mike Krol designs for musical bands, sandwiches, accordions, gorillas, light bulbs, and maple syrup, among many other things. He has a very good sense of humor, wit, and typography. I love finding work where the designer’s personality shines through. Especially if that includes heavy metal and Eskimos.

Check out the walking backwards to school video. I loved that!

1960s Japanese book cover designs

I don’t know much about the company that published the book on the right, but the book on the left was published by Kappa in 1963. Keep your eyes out for Kappa, they have other cool covers.

Invisible creature has a slew of great design and illustration work at their site including the album art for the latest Hawk Nelson record.

(t) Jazz/ Rock voicings for the contemporary keyboard player c1974
(b) Jazz Improvisation for keyboard players c1978

I picked up these two books over the weekend. They are part of an instructional jazz book series produced in the 1970s for Studio publications and recordings. I’m not sure who responsible for the cover design but, I like how he limited it to a few simple shapes and the type. Both books are written by Dan Haerle, but there are others in the series by Rufus Reid and Ramon Ricker.

Frank Chimero is having a great time, apparently. His portfolio is full of super fun, exciting work. As a design student, it’s always thrilling to see work that is equal parts vision, humor, inspiration, and a snappy idea.

He also has a cool blog, and a flickr.

1871-1971 census stamp

Pretty bugged stamp from the Canadian Post.
Designed by Hans Kleefeld.

(via the great Canadian design resource)

The Futile Vignette is a design studio run by Mick Marston, out of Sheffield, UK. Mick’s work is a fun combo of contemporary and vintage illustration styles. Lots of rabbits, cats, girls with pig noses, hands holding things, and 2 George Saunders book covers! (Anyone know if those are in print?)

Bonus points for an interesting website, too!

Win this Herbert Bayer Olivetti Poster !
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If you missed our last Olivetti Poster contest, it’s not too late to win on grain edit. On Friday April 25th, 2008 one lucky winner will be taking home the Herbert Bayer poster seen above. This is not an original, but rather a reissue of the original designed by Herbert Bayer for the Olivetti Divisumma calculator in 1953.

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Los Angeles Press Photographers Annual 1958

Great cover.

(via Bradley J Gake)

Vårt svenska samhälle - by Sixten Björkholm c1963

Cool book cover illustration by Staffan Wiren. Great example of swedish modern illustration from the 1960s.

On a sidenote, just talked to my friend Joe Beats and he’s got a killer mix online that he put together for designer vinyl toy store Munky King. Listen to the mix here.
HIGHLY RECOMMENDED!

(Staffan Wirén book cover via David at the Klockarp institute)

From the book - Jacqueline S Casey Thirty years of design at MIT

Beautiful work from graphic designer Jacqueline Casey. It mentions in the book she was inspired by Karl Gerstner, Kurt Wirth and Anton Stankowski.

“In the early 1950s, John Matill, a writer and editor, founded the MIT office of publications. He was joined in 1952 by Muriel Cooper. Cooper was among the first designers ever hired by a university to represent it graphically. She and Matill hired Jacqueline Casey to design summer session materials in 1955.” Casey continued to work for MIT until her retirement in 1989. (Taken from the introduction of the book.)

road map of Czechoslovakia from 1962

Obviously the design work of a mad genius who is addicted to lollipop trees.

(Via the really good Kris’s color stripe blog)

Leonardo Hss comes to us all the way from Flickr. I couldn’t find any info on him other than what is on his Flickr page. Lots of different styles represented here. Corporate, logo, and some more playful graphic work (like the above image).

Be sure to check out his experimental work as well.

The images above are from the introduction to The collected writings of graphic designer Alvin Lustig (c1958). When I first found out about this book, I was going nuts trying to find a copy. I wasn’t able to find one, so I had to settle for a photocopy of the one presently in the RISD library. A couple of years ago, I finally tracked one down. It was worth the wait. It’s a short book (only 95 pages), but it has some real nuggets. It contains interviews and articles on Alvin from Interiors magazine, AIGA Journal, Design Quarterly, Type Talks and a few other sources. Wonderful insight into his design thinking and process.

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Mike Davis aka Mike the 2600 King is part of a design collaborative known as Burlesque of North Of America. In addition to their design work they are a full service screenprinting studio.

I first ran into Mike while on a cross country record digging trip in 2003. My friends and I were crashing with some of the cool cats at galapagos 4. They heard that Mike was spinning at one of the local clubs, so we decided to check it out. Mike was laying down some serious funk/ soul heat that night and the club was packed. Later I found out that in addition to be a great dj, he was an excellent designer creating posters for my friends at anticon.

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In the first part of our new Record Gallery Series Mike Davis (aka MIKE THE 2600 KING) - uber cool designer for Burlesque of North America has put together a gallery of some of his favorite record covers. This well rounded collection includes covers by design heavyweights like Milton Glaser to design unknowns, as in the case of the local/ private press lps.

In addition, he has created an exclusive dj mix for grain edit with songs taken from the records featured in the gallery. We hope you enjoy it.

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The Asian American Film Festival is in San Francisco now, so I had a chance to check out “Blood Brothers” which is one of the more recent films produced by John Woo. Anyone else seen this? Overall I thought it was pretty cheesy, but the ending wasn’t too bad. On the way to the theater I stopped by my friend Cool Chris’s record shop. Chris runs Groove Merchant which is notorious amongst beat diggers and record collectors as the place to go if you want to find rare jazz, funk and library lps. While I was there Chris hit me off with a copy of the record above.

The John Hawkins lp seen above is part of a series of 45s (the little records..7″) initiated by CAPAC (Composers, Authors and Publishers Association of Canada Limited). I’m less concerned with the music on this album as I am with the design of the logo. The rounded letters take form as records with the lines of different weights creating the grooves. It wasn’t uncommon to see logo treatments like this in the 1970s and I think this is one of the better examples.

Hello Freaks are based in Paris, and led by one Jerome Castro (who has a cool blog, in French.) Their illustration work is really impressive, and includes lots of mouth-watering type. Be sure to check the motion work as well. It’s a nice departure from the standard motion reels we’re used to seeing all over.

Thanks to Sharon for the heads up on Hello Freaks.

original version

upadated version by Daniel Knef

Several weeks ago I posted a Jacques Nathan Garamond Telefunken poster. One of my comments was the poster would look better if Jacques killed the telefunken logo located to the right of the reel to reel. Grain Edit reader Daniel Knef was nice enough to send us a modified version of the poster minus the logo (see above). I realize this poster would not of been possible without the client and obviously their branding is going to be part of the design. However, its nice to see the design without any distractions.

Many thanks to Daniel for sending us the updated version. Be sure to check out his electronic music compositions at gran où lée.

I’m digging Colorcubic’s identity work for Nueva Forma. You can check the rest of their portfolio here

Swiss Air pamphlet - designer: Kurt wirth and Paul Beer c1950s

SwissAir has a rich history with some of Switzerland’s finest designers. Over the last 60 years the Airline has worked with Karl Gerstner, Kurt Wirth, Donald Brun, Fritz Buhler and Siegfried Odermatt just to name a few. The pamphlet above is one of many brilliant pieces to result from this relationship.

It appears to be some sort of promotional piece for the Douglas DC 7 which was produced in 1956. I love how Kurt Wirth laid out the information.

You can see the rest of the pamphlet at Ace Jet 170. Many thanks to Richard for posting this gem.

Be sure to check out our other posts related to SwissAir design.

Typographes d’Estienne 1950

It’s been a while since I’ve posted any type-related goodness, so I figured it was time to post the slab of paper above. The book includes 40 - 50 pages of modern San Serif specimens worked into menus, advertisements and letterheads. In addition, there are several tipped in brochures and posters you can flip through. Given the title, I would assume this is an annual and that there are other years available.

Pino Tovaglia book - The rule that corrects emotion

In addition to this blog, I own a small design bookstore. As a bookseller, I find it hard to find publishers that consistently produce quality titles. Italian publisher Edizioni Corraini is one of a few publishers that I look forward to their new releases each year. If you own or have seen any Bruno Munari books, you are most likely familiar with their work. They have reproduced dozens of Munari’s books, many of which I own in my personal collection. In addition to the Munari collection, they have produced books on or by Martí Guixé, Enzo Mari, Aoi Huber-Kono (Max Huber’s wife),Taro Miura, Albe Steiner and many others. With this in mind, I was delighted when I received an email from them mentioning that they had been reading Grain Edit and that they would like to send a package my way.

I will cover the contents of the package in several posts. The first being the Pino Tavaglia book seen above.

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Cover illustration/typography for the Yale University Art Gallery spring catalog

Garrett Morin does great work. He draws lots of type and makes people happy. You may have seen his works in the likes of Mike Perry’s Hand Job book. If you click on over to his site, you’ll find lots of happy characters, t-shirt graphics, corn-cob pipes, animated GIFs, skateboard graphics, magazine covers, and a great animated spot for Death Cab for Cutie / MTV.

Garrett’s also a member of the Rad Mountain collective, which recently did some yummy illustrations for Good Magazine. Check it.

1960s IBM 7094 poster - Designed by Clarence Lee

Clarence Lee graduated from Yale in 1958 and went on to work for the uber graphic designer Lester Beall. In 1962 Clarence left Beall’s firm to work for IBM. During his time at IBM he designed the poster above for the IBM 7094 Data Processing System. The 7094 was released in 1962 and was built for large-scale scientific computing.

During the late 1950s - early 1960s, Paul Rand, Charles Eames ,Marcel Breuer and Eliot Noyes were involved in design work for IBM. It would be interesting to find out if Clarence had any interaction with these designers.

I wish I could tell you more about this one. I pulled this out of a book I have on 70s + 80s Japanese graphic design. All the text is in Japanese so, I have no clue on who designed this. Anyone recognize this work? I have no idea why theres a gaggle of balloon animals chillin in a tree. If someone could translate the text below the animals, that would be great.

Jesse Kaczmarek is a one-man, super-clean design shop located in NYC. His clients include BMW, Sony, Pepsi, HBO, and on and on. The work remains consistently clean, sophisticated and fun — all at once! Just look at those happy families in their Hertz rental cars!

Also, bonus points for a super slick website.

Silkscreen Print for a Drama magazine sponsored show at Nonesuch Gallery

Cool design work from Wyeth Hansen (Casual Aesthetics). His website includes t-shirts, posters, type faces as well some motion design. I’m loving the type work above.

(Via Wrong distance)

This Land - A Geography of Canada by Edward Wahl c1961
Hans Kleefeld cover designer

Great book discovery by Rosemary Travale.
Hans also designed the original logo for the Toronto Zoo.

Giant Golden Book of Biology - An Introduction to the Science of Life c1961
Text by Gerald Ames and Rose Wyler - Illustrated by Charley Harper

It doesn’t get much better then this. This is Charley in his prime.

“In a style he called “minimal realism”, Charley Harper captured the essence of his subjects with the fewest possible visual elements. When asked to describe his unique visual style, Charley responded:

When I look at a wildlife or nature subject, I don’t see the feathers in the wings, I just count the wings. I see exciting shapes, color combinations, patterns, textures, fascinating behavior and endless possibilities for making interesting pictures. I regard the picture as an ecosystem in which all the elements are interrelated, interdependent, perfectly balanced, without trimming or unutilized parts; and herein lies the lure of painting; in a world of chaos, the picture is one small rectangle in which the artist can create an ordered universe.[cite this quote]

He contrasted his nature-oriented artwork with the realism of John James Audubon, drawing influence from Cubism, Minimalism, Einsteinian physics and countless other developments in Modern art and science. His style distilled and simplified complex organisms and natural subjects, yet they are often arranged in a complex fashion. On the subject of his simplified forms, Harper noted:

I don’t think there was much resistance to the way I simplified things. I think everybody understood that. Some people liked it and others didn’t care for it. There’s some who want to count all the feathers in the wings and then others who never think about counting the feathers, like me.”

- Wikipedia

For those interested, I’ve posted a copy of the Giant Golden book of biology for sale on Ebay.

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Luke Williams is a third year graphic design student at the Maryland Institute College of Art. While making sweet calendar-meets-packaging cubes, he is also working for Abbott Miller/Pentagram in Baltimore. From magazine and book layouts to posters and self-initiated work, Luke’s work is fresh. It’s nice to see a large body of work with this much variety, attention to detail, and experimentation with other mediums.

Portland based designer Gavin Potenza (Exploratory Design) has cooked up a series of sweet stamps. The series which was inspired by the work of Otl Aicher is entitled Homage to the Stamp.