Lots of Bots c2008 - Text by Kiki Thorpe - illustrated by Ben Butcher
Ben Butcher of Pixar recently stopped by to give us a preview of the new WALL-E picture book Lots of Bots which he illustrated. The book is the precursor to the film, which is due to hit screens this summer. In the interview below, Ben discusses his thoughts and process in the making of this beautiful book. Where it was possible, we’ve included Ben’s original artwork alongside images of the finished book.
Richard Erdoes was an author and illustrator. He was born in Vienna, Austria in 1912 and later immigrated to the United States. The book above is one of a 3 part “around the world” series. The other two books were Musicians of the world and Peddlers and Vendors of the world. Both of which, were produced around the same time in the late 1960s.
It looks like Erdoes’ used a combination of Pen/ Ink and gouache to achieve the finished look found in the images above. This reminds me of the work of Miroslav Sasek who I believe used gouache as well.
Industrial designer / illustrator Syd Mead is well known for his vehicle designs and backgrounds for classic science fiction films like Blade Runner and Aliens during the 1980s. Long before these projects, he produced a series of conceptual illustrations and paintings for US Steel. The futuristic automobiles, diagrams and environments were published in several promotional books during the early 1960s.
These books are intense to look at. The full page spreads are over 2 feet wide and heavily detailed. Keep in mind when viewing the images above, that this work is very early on in his career, as he had recently finished his studies at Art Center in Pasadena.
I don’t know much about the company that published the book on the right, but the book on the left was published by Kappa in 1963. Keep your eyes out for Kappa, they have other cool covers.
(t) Jazz/ Rock voicings for the contemporary keyboard player c1974
(b) Jazz Improvisation for keyboard players c1978
I picked up these two books over the weekend. They are part of an instructional jazz book series produced in the 1970s for Studio publications and recordings. I’m not sure who responsible for the cover design but, I like how he limited it to a few simple shapes and the type. Both books are written by Dan Haerle, but there are others in the series by Rufus Reid and Ramon Ricker.
Vårt svenska samhälle - by Sixten Björkholm c1963
Cool book cover illustration by Staffan Wiren. Great example of swedish modern illustration from the 1960s.
On a sidenote, just talked to my friend Joe Beats and he’s got a killer mix online that he put together for designer vinyl toy store Munky King. Listen to the mix here.
HIGHLY RECOMMENDED!
From the book - Jacqueline S Casey Thirty years of design at MIT
Beautiful work from graphic designer Jacqueline Casey. It mentions in the book she was inspired by Karl Gerstner, Kurt Wirth and Anton Stankowski.
“In the early 1950s, John Matill, a writer and editor, founded the MIT office of publications. He was joined in 1952 by Muriel Cooper. Cooper was among the first designers ever hired by a university to represent it graphically. She and Matill hired Jacqueline Casey to design summer session materials in 1955.” Casey continued to work for MIT until her retirement in 1989. (Taken from the introduction of the book.)
The images above are from the introduction to The collected writings of graphic designer Alvin Lustig (c1958). When I first found out about this book, I was going nuts trying to find a copy. I wasn’t able to find one, so I had to settle for a photocopy of the one presently in the RISD library. A couple of years ago, I finally tracked one down. It was worth the wait. It’s a short book (only 95 pages), but it has some real nuggets. It contains interviews and articles on Alvin from Interiors magazine, AIGA Journal, Design Quarterly, Type Talks and a few other sources. Wonderful insight into his design thinking and process.
It’s been a while since I’ve posted any type-related goodness, so I figured it was time to post the slab of paper above. The book includes 40 - 50 pages of modern San Serif specimens worked into menus, advertisements and letterheads. In addition, there are several tipped in brochures and posters you can flip through. Given the title, I would assume this is an annual and that there are other years available.
Giant Golden Book of Biology - An Introduction to the Science of Life c1961
Text by Gerald Ames and Rose Wyler - Illustrated by Charley Harper
It doesn’t get much better then this. This is Charley in his prime.
“In a style he called “minimal realism”, Charley Harper captured the essence of his subjects with the fewest possible visual elements. When asked to describe his unique visual style, Charley responded:
When I look at a wildlife or nature subject, I don’t see the feathers in the wings, I just count the wings. I see exciting shapes, color combinations, patterns, textures, fascinating behavior and endless possibilities for making interesting pictures. I regard the picture as an ecosystem in which all the elements are interrelated, interdependent, perfectly balanced, without trimming or unutilized parts; and herein lies the lure of painting; in a world of chaos, the picture is one small rectangle in which the artist can create an ordered universe.[cite this quote]
He contrasted his nature-oriented artwork with the realism of John James Audubon, drawing influence from Cubism, Minimalism, Einsteinian physics and countless other developments in Modern art and science. His style distilled and simplified complex organisms and natural subjects, yet they are often arranged in a complex fashion. On the subject of his simplified forms, Harper noted:
I don’t think there was much resistance to the way I simplified things. I think everybody understood that. Some people liked it and others didn’t care for it. There’s some who want to count all the feathers in the wings and then others who never think about counting the feathers, like me.”
Publicity and graphic design in the chemical industry - Hans Neuburg 1967 (Chemie Werbung und Grafik) Contributions by Josef Muller Brockmann
Clap your hands if you love swiss design.
This is got to be one of the best books on graphic design in the chemical industry. Ha! this probably the only book on graphic design in the chemical industry. Most of the design work in the book is for pharmaceutical companies. Companies include J R Geigy and Ciba Aktiengesellschaft, both located in Basel, Switzerland.
The index in the back reads like the whos who of Swiss design. Designers include:Karl Gerstner, Herbert Leupin, Siegfried Odermatt, Hans Erni, Max Schmid, Fred Troller and Kurt Wirth amongst others.
Just look at the pictures above, the work is incredible. Anyone have any nominations for pharmaceutical/ chemical companies that have great design? Maybe we should put together a top 5 list. For example, the always fun top 5 favorite poisonous gas logos.
Things magazine..wheew sweet mother! They have put together a kick butt gallery of penguin book covers. Includes beautiful covers overseen by Jan Tschichold as well as the late typographer Hans Schmoller. My favorite years are between 1961-1972 when Italian art director Germano Facetti was in charge of design. Facetti enlisted Polish graphic designer Romek Marber to redesign the look of the Penguin series and the rest is history.
Side note: Watched Jules Dassin’s Brute force last night. Great Flick. I also recommend Riffifi which was directed by Dassin as well.
The recent excitement over Penguin covers has resulted in a renewed interest in paperback book cover design. I’m starting to see discussion groups popping up as well as new books being published on the subject. Several titles come immediately to mind; Seven Hundred Penguins and World Paperback design. In future posts I’ll discuss both of these books as well the as the book covers of dutch designer Dick Bruna. For now enjoy the pieces above.
Several years ago The Finnish Book Arts Committee produced a retrospective entitled 60 Years of Best Finnish Book Design. The online exhibition includes illustrations and layout by Tove Jansson, Erik Bruun, Jukka Pellinen, Timo Sarpaneva, Markku Reunanen, Aleksander Lindeberg and Oili Tanninen amongst others. It only takes a few minutes to click through the slide show and serves as a wonderful introduction to some of Finland’s finest designers.
When grainedit asked us to show our book collection for their blog, we were pretty excited. Getting it done, however, was half the battle. Not that we were lazy, okay, we were a little lazy, but the hard part was figuring out what stuff we liked the most.
It’s not that easy, here’s how it went:
Sean: [Looking though first shelf] “Oh, I like this one, this one too, we should put this one in”
Nicole: [sighs] How many do you plan on doing? That’s too many.
Erik Nitsche - Design and paper #34 195?. Part of a series put out by Marquardt and Company. After you’ve absorbed the photos above check out this killer collection of Erik Nitsche designs put together by the people at Bustbright.
Erik Nitsche - Design and paper #34 195?. Part of a series put out by Marquardt and Company. After you’ve seen the photos above check out this killer collection of Erik Nitsche designs put together by the people at Bustbright.
Cosponsored by Chronicle Books, the San Francisco Center for the Book, and the San Francisco chapter of the American Institute for Graphic Arts, this year’s annual 50 Books/50 Covers show, which has been held at the SFCB for the past several years, moves over to the new Chronicle Books headquarters at 680 Second Street. The above sample gives you a glimpse of the talent you will be reviewing. ‘Arboretum’ cover designed by McSweeney’s Publishing.
Opening reception: 680 Second Street, San Francisco
Friday, Oct 26 from 6-8pm and is free to the public.
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