Our story with Jason Munn (The Small Stakes) begins in the summer of 2005. We had recently learned that his studio was located near our office so we decided for a little suprise visit. We arrived at his front door and rang his buzzer. When he opened the door we said something along the lines of..
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- Olle Eksell Site & Shop
- This Is Forest — Joel Speasmaker
- MVM — Magnus Voll Mathiasson
- Art School Cliche Spotting
- Posters Discovered in Notting Hill Gate Tube Station
- Vinyl Documentary: To Have & To Hold
- Partisan Memorials in Former Yugoslavia
- Up in the Air- Opening sequence
- Geoff Mcfetridge: Where the Wild Things Are Title Design
- Nikkatsu – Japanese actions films
I have a very special place in my heart for poster design. Especially poster design that incorporates type in an interesting, fresh way. I mean, how do they do that? It looks too easy! Andrio Abero, the man behind the poster and design studio 33rpm, is a master at “type and image integration.” This is one of the first firms that kick started my obsession with the poster, way back in the early 2000′s.
â€œA work of art is realized when form and content are indistinguishable. When form predominates, meaning is blunted; but when content predominates, interest flags. But the genius comes in when both of these things fuse.â€ – Paul Rand
Wise words from a design genius. The Paul Rand video above is filled with nice little quotes like this. The video also brings to life some of his well known logos and illustrations. Who wouldn’t want to see Sparkle and Spin animated? nuff said
When grainedit asked us to show our book collection for their blog, we were pretty excited. Getting it done, however, was half the battle. Not that we were lazy, okay, we were a little lazy, but the hard part was figuring out what stuff we liked the most.
It’s not that easy, here’s how it went:
Sean: [Looking though first shelf] “Oh, I like this one, this one too, we should put this one in”
Nicole: [sighs] How many do you plan on doing? That’s too many.
So here you go, a look at our bookshelf and here are some of our favorites.
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This is hot! Make your own paper bird. Theres several designs currently available on the site but my favorite is the one with the wood grain belly and the mid century modern tattoo. The website includes tips and tricks for putting your bird together plus you can design your own! Thanks to Mckibillo for putting this together.
This is the recipe for the 5th (1961) San Francisco International Film Festival poster. This poster is reminiscent of Saul’s design for the Alfred Hitchcock film Vertigo. The cosmograph used in the Vertigo poster is replaced with a ball of film in this poster to create a central focal point with a circular motion. There is an original copy on Ebay right now. These posters rarely surface so this might be your only chance to own one. Click on the link above to preview the auction.
Today is Bruno Munari’s birthday. If he was still alive, he would of been 100 years old. What better way to celebrate then to browse through the Bruno Munari image archive put together by the Collezione Bruno Munari. The collection includes information on most of his projects created during his highly prolific career as a designer.
Non-Format are a twin-continent based award winning design firm. They also happen to be the kings of super thick and chunky left justified type. They posses the unique ability to seamlessly integrate their big type with organic illustrative elements, with very nice results. In addition to running their studio, they also design Varoom, a journal of illustration and made images, art directed by Adrian Shaughnessy. In addition, they just released a book.
I stumbled across WSDIA (We Should Do It All) Design Studio from the winners list of ADC’s 2006 Young Guns Award. This firm has a great eye for type, detail, and apparently skittles! Check out WSDIA’s website as well as an episode of The Creative Backstory: ADC Young Guns, Big/Small, featuring WSDIA. This short series explores the question about a design firm’s size: does size matter?
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Charles Harper’s work looks just as fresh and exciting today as it must of looked 40 years ago. Its been great to see a renewed interest in his illustrations mostly due to the recent release of Todd Oldham’s book Charley Harper: An Illustrated Life. Heres a small sample of Charles’ work for Ford Times. The issues featured above are from the mid to late 60s. In addition be sure to check out the Charles Harper Flickr group. Enjoy!