This is one of my favorite luggage labels out of portugal. Most likely from the late 1950s. I love the colors. Who wouldn’t want to stay in a hotel with bright orange panels as part of the facade? This hotel still exists and it really does have orange panels. At openline Portugal you can see a photo of the Hotel Infante Santo as it exists today (scroll halfway down the site).
- Olle Eksell Site & Shop
- This Is Forest — Joel Speasmaker
- MVM — Magnus Voll Mathiasson
- Art School Cliche Spotting
- Posters Discovered in Notting Hill Gate Tube Station
- Vinyl Documentary: To Have & To Hold
- Partisan Memorials in Former Yugoslavia
- Up in the Air- Opening sequence
- Geoff Mcfetridge: Where the Wild Things Are Title Design
- Nikkatsu – Japanese actions films
Flying hot dogs, Cows turning into hamburgers and a 2000 pound stick of butter turning into the most disgustingly awesome popcorn you’ve ever seen. You’ll get it all in this animated psychedelic Pepsi commercial from Peter Max.
(via Made in England)
Bruno Bozzetto : Viva Gli Abominevoli Sciatori
Cool cover for this obscure kids book by Mr. Bozzetto from the 1970s. Bruno is mostly know for his contributions to animated film. He has created hundreds of animated shorts and was nominated for an oscar in 1991 for a film entitled “grasshoppers”. You can read his complete biography at the official Bruno Bozzetto website.
I go bananas for these Eastern European matchbox labels. I bought a complete run from 1958-1978 about a year ago and I still can’t get over how sick these things are. Most of these labels are 2-3 tones and some are completely off register. They look like little silkscreen posters (Most of these labels are 1.5 inches wide by 1.75 inches tall) . These labels make perfect posters for your kid’s doll house or inspirational art for your hamster to look at as he is jogging in his exercise wheel.
Plenty more of these little guys coming!
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10 years of Vendre design magazine covers (Best of 1952-1962)
Vendre was a monthly trade magazine for graphic designers in France. It was founded by Etienne Damour in the 1920s. The magazine’s chief editor was Roger-Louis Dupuy, who in addition established one of the first advertising agencies in France. Paul Nicolas would later become chief editor and guide the magazine through the 1950s and 60s. During this time period the magazine was mostly text-based. The articles dealt with the creative and technical challenges its readers would of faced.
The issues above are some of my favorite cover designs for Vendre between the years 1952 and 1962. Illustrators and designers for these issues include Rene Chag, Ducordeau, M. Legand, Paul Funken, Roger Troubat, Francois Szalay and Henriette Mayo.
If you are interested in Vendre or the history of French graphic design, I highly recommend you pick up a copy of Michel Wlassikoff’s The Story of Graphic Design in France. It is an excellent overview of the design work this country has produced in the last 100 years.
2275 Santa Rosa Ave in Altadena, California. Here lies the house of an exceptional designer but also a house of an exceptional design. This is the address of Case study House #20 as well as the residence of Saul Bass. This remarkable example of modern residential architecture was designed by Buff, Straub and Hensman in 1958 for John Entenza’s Arts & Architecture magazine.
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The 1978 World Cup was held in Argentina between June 1 and June 25. Argentina would go on to beat the Netherlands 3-1. The men in this poster seem to be celebrating victory, but this seemingly innocent poster has a very dark story to tell.
Argentina had suffered a military coup only two years before the cup and was in the middle of a dirty war against left wing sympathizers. Up to 30,000 people “disappeared” during this time. These events coincided with a campaign of political repression involving dictators from other South American countries dubbed “operation condor“. Thousands of people were tortured and many lost their lives.