I want this chair! It was designed by Jupp Ernst and manufactured by Polstermobelfabrik Eugen Schmidt Gmbh during the 1950s. If the chair wasn’t cool enough, Helmut Lortz nailed it on the design of the AD. Someone needs to buy me this chair along with a Robin Day Form Unit Sofa. Please?
- Olle Eksell Site & Shop
- This Is Forest — Joel Speasmaker
- MVM — Magnus Voll Mathiasson
- Art School Cliche Spotting
- Posters Discovered in Notting Hill Gate Tube Station
- Vinyl Documentary: To Have & To Hold
- Partisan Memorials in Former Yugoslavia
- Up in the Air- Opening sequence
- Geoff Mcfetridge: Where the Wild Things Are Title Design
- Nikkatsu – Japanese actions films
We’re super excited to present this wallpaper designed exclusively for Grain Edit by one of our favorite illustrators…. Maxim Dalton. We approached Maxim about the wallpaper a few weeks ago and was thrilled when he agreed. Since he is based in Buenos Aires, I asked if he would include the Buenos Aires National Library in the illustration. This beautiful, spaceship looking, brutalist beast was designed in 1961 by the architectural team of Clorindo Testa, Francisco Bullrich, and Alicia Cazzaniga. The library is the large building on the left hand side of the illustration.
New Prizes coming…
If you haven’t signed up for the Grain Edit Stimulus Package Giveaway it’s not too late! We’re giving away over $1000 worth of goodies. So What are you waiting for? It’s quick, easy and free to sign up.
After we posted this cityscape by Sigrid and Hans Lammle we received a few emails from readers that wanted to have the image as a wallpaper. We thought that was a great idea, so we loaded the image into Photoshop and lovingly chopped up some new sizes.
Amy Cartwright is a talented illustrator who designs and illustrates cards, books, and other products for clients including: Hallmark, 3M, Scholastic, and Proctor & Gamble. In her spare time she curates one of our favorite blogs, Stickers and Stuff. The blog showcases vintage kids books and wonderful examples of modern design. Here for grain edit readers Amy shares pictures of some of her favorite books and the stories behind some of her finds. Enjoy!
And now over to you Amy…
Love, love love! this work from Spain-based Borja Bonaque. I’m a huge fan of city-scape illustration (à la Evan Hecox and Andrew Holder) — so I was pretty enamored with Borja’s work to say the least. The texture, composition, and (superb!) color choice all work together to give these illustrations that heavy punch. That city above reminds me a little of Sin City, and those other comic book-to film adaptations.
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We’ve mentioned Andrew Holder on grain edit before, but I just got word of a cool interview with him over at Defgrip. In the interview he discusses some of his recent work for arkitip. He also shares some of his favorite artists. I was suprised to see David Weidman on the list.
After you read the interview, check out the rest of Defgrip. It’s a great site that covers BMX culture, photography, art and design.
Not signed up for the Grain Edit RSS yet? Give it a try. Its free and yummy.
We’re proud to announce a new addition to our Grand Prize in the Giveaway. Along with the $150 gift certificate from 2k Gingham and collection of goods from You Work From Them, one lucky winner will be walking home with a limited edition Chinatown Summer print by Evan Hecox courtesy of the rad folks over at Arkitip.
I’m very excited about our next addition to the Grain Edit interview series. When the gigantic Grain Edit interview arrow landed on Springfield, MO we knew just who to call: Frank Chimero.
You’ve likely seen Frank’s designs and illustrations making the rounds on the design blog circuit lately. And with good reason; Frank’s work effortlessly combines humor, wit, and style with a fresh and honest point of view.
Frank opens up and shares some of his thoughts and insights regarding his design background, his influences and teaching experiences, and of course his famed process. If you’re a fan of the States’ series, then there’s also a super surprise waiting for you further down in the interview.
OK, enough. Here we go: