Illustration superstar, Damien Correll, has been building up quite a portfolio of work in the past few years. Between his solo career as a freelance illustrator and designer, and his joint design-firm venture with Garrett Morin, Part & Parcel, Damien has taken the editorial and advertising world by storm. His most recent project is an art show at Raised By Wolves in Greenpoint, NY, where he features his newest hand-printed works.
- Olle Eksell Site & Shop
- This Is Forest — Joel Speasmaker
- MVM — Magnus Voll Mathiasson
- Art School Cliche Spotting
- Posters Discovered in Notting Hill Gate Tube Station
- Vinyl Documentary: To Have & To Hold
- Partisan Memorials in Former Yugoslavia
- Up in the Air- Opening sequence
- Geoff Mcfetridge: Where the Wild Things Are Title Design
- Nikkatsu – Japanese actions films
The portfolio of Jen Mussari is an refreshing mix of quirky handrawn lettering and illustration. What I really enjoy about her style is that it seems very personal and focuses on art-making rather than the production of a commercial product. Jen, with some of her friends, recently launched a really cool project, S Magazine, featuring a lovely cover illustration. (more…)
Though I’ve been a fan of Jesse Lefkowitz for some time now by sheer chance of spotting his editorial illustrations in publications like Money, Village Voice and Fortune, I’ve only recently discovered his portfolio. His full body of work has a seriously cohesive style that embraces both digital and traditional illustration, but has such a unique updated twist that allows it to fit beautifully as conceptual editorial work. For more of Jesse’s work visit his site & check out his shop to get a few pieces for your own!
Chris DeLorenzo is a graphic designer based out of Andover, Massachusetts, whose modern design style demonstrates what I think of as extremely current and fresh. His work has a sort of comic book inspired feel, while bringing a perfect-fitting hand lettering style to the table. In his own words, Chris notes his influences range from, “pop art, to 1940’s cinema, to graffiti and folk art” which really makes his work unique.
Each new piece that I see from Mario Hugo is better than his last. Perhaps it is his unique grasp of what makes a composition beautiful, or the way he uses his incredible drawing ability to render incredibly intricate works of art. Most artists stray from typography in a rebellion of (literally) spelling out their idea to the viewer, but I love how Mario has embraced type and made it a central focus in his work.
Justin Thomas Kay has been a staple in the elusive editorial side of the type world since graduating from Milwaukee Institute of Art & Design in 2004. With clear influences from 70’s display typography (à la Lubalin), J.T.K. really captures an era of typography that focused on the potential of using type as image. As a new venture, he recently opened the Version Type Foundry, and I’m excited to see where this new chapter takes him.
The name Grady McFerrin should be easily recognizable if you’re a reader of The New Yorker or New York Times, where his illustration work shows up frequently. But, what I like to (of course) focus on is his lovely lettering style. The thing that makes Grady’s work unique is the un-rendered, folk quality of his text; paired with his minimal color palette, he manages to create pieces that could have come straight out of early Americana. What Grady does is highlight the old and oft-forgotten, and sends the viewer a beautifully nostalgic feeling of the past.
The work of Will Staehle is inventive with an incredible range of style and content. You might know of him because of his artwork aptly named the Silhouette Masterpiece Theatre, using silhouettes and some delightfully snarky text. Most of his design and type work is with his studio, Lone Wolf Black Sheep—producing iconic book covers, recognizable as some of the best selling books in recent years. He also has a really interesting blog of sorts, called the Dollar Dreadful Family Library, featuring amazing Victorian display type.
For the last week or so your trusty Grain Edit crew have been in the sunny city of Portland, Oregon. This city is great — the weather is perfect, the people are nice, and the design is spectacular.
A few of the highlights so far include the 12 hour drive up, hanging out with some amazing designers, Portland’s vast food cart cuisine, waffle sandwiches, vintage video games, and much more.
This Sunday we’ll be making the long trek back to the Bay Area. Be on the lookout for lots of fun goodies from our week long trip here.